Stomp & Holler Live @ The Artrix; Bromsgrove
Last year at Worcester Beer Festival, I saw and listened to Stomp & Holler’s first ‘outing’. Oliver and Abby had evolved from the Blues Tribe, were playing alongside Chris in ‘Mumbo Jumbo’ and had gathered a drummer, Martin, guitarist, Lee, and saxophonist, John. It had been a good evening, though possibly not fully appreciated by the ale enthusiasts glued to the muddy fields of last ‘summer’.
Enjoyable as the evening was, I felt Martin, the drummer, was not fully relaxed into his role. I saw a more complete and accomplished show at Ledbury theatre a few months later, and now here I was at the Artrix to see the band again, I knew Martin was a drummer of repute, and am pleased to say he has, in my humble opinion, grown roots in the band.
John I had seen before when guesting with the old Blues Tribe, and can really appreciate his breathing life into an array of sax’s, as well as some very nice touches on the flute.
Lee is a talented guitarist who has a distinctive influence on the overall sound of this Orleans style band.
The ‘Mumbo Jumbo’ element, Abby, Chris, and Oliver, fit well together as you would expect, but the style and direction is much livelier, with a mix of Blues, Jazz and Swing.
They open at full bore with signature piece ‘Crazy Up In Here’, with strong vocals from Abby and Oliver. Abby takes lead vocals, and she has a fine voice, in ‘Start It Up’, with Lee stepping forward for a spot in ‘Lucky Man’.
This is the aperitif for one of my particular favourites, sung with some real Cocker mouth grit (that’s Joe, not the little place in Cumbria), ‘St. James Infirmary Blues’. This is played at a funereal pace, suitable perhaps for the opening dirge at a New Orleans procession; it fits Oliver’s gritty vocals as if tailor made.
The first set ends with a strong driving blues of ‘Webstop Checker’, with leads coming from Lee, supported with Oliver’s trumpet and John’s sax, Martin firing up the furnace with Chris shovelling in the coal!
Second set kicks off with a heartfelt ‘Lonesome town’, with Oliver’s unique vocal qualities coming to the fore.
‘Whys It Always Me’, is a more cockney lad style, with Chris taking the vocals, feeding in back to Oliver for a gravel laden ‘Hadn’t Been For Love’, back in blues mode.
The evening seems to rush through, as is always the case when enjoying good music, Abby taking lead again with ‘Tell it Like It Is'; a chorus of ‘happy birthday’, were there really that many birthday’s in the Artrix that evening? A crowd pleasing ‘Evangeline’, running through to a reprise of ‘Crazy Up In Here'; which is where we came in. The difference here is the interwoven, layered vocals from Abby, Oliver, Lee, and Chris.
Overall a good night’s entertainment from 6 very accomplished musicians that have gelled well together since inception.
The music is eminently suitable for getting up and dancing, which I suspect many on the night would have liked to do, I believe the original plan was for the Artix to leave a floor are and partial seating. For whatever reason, it was fully seated, which meant much ‘squirming’ in seats, the standing ovation was inevitable, lets have more!
Words And Photos By Graham Munn
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