Rhythm & Booze An online music webzine created by music lovers for music lovers.

5 December, 2014

Your Favorite Enemies-Between Illness And Migration

Filed under: alternative,post hardcore,post rock,Recorded Reviews,shoegaze — Tags: between illness and migration, new album, your favorite enemies — willmunn @ 14:57

Your Favorite Enemies maybe something of a new name on this side of the pond but over in their native Canada, the six-piece have managed to hit number 2 on iTunes on the day of release of their previous recording, whilst the band have also shifted 60,000 physical copies of their past releases to date, which is impressive when you think that the band take their musical cues from the likes of Fugazi, Sonic Youth and Mars Volta among others.

The band have already made their first steps in this country with a high profile tour in support of seminal post rock legends ……And You Will Know Us By The Trail Of Dead  taking in Glasgow, Manchester and London during their four date stint.

Listening to this ten track affair you can imagine that Your Favorite Enemies may well found favour with the Trail Of Dead crowd, as they combine lo-fi post hardcore, evocative vocals and dense bouts of feedback to create a gloriously wide reaching racket that should appeal to post rockers and abrasive alternative rock fans alike.

The album opens with a short introduction entitled Satsuki Yami, where the band sharpen their instruments, building up to a howling feedback enriched crescendo before unleashing the first track proper, Empire Of Sorrows, a six minute plus epic that mixes spoken-word lyrics with jarring banks of dense instrumentation, punished drums and waves of guitar abuse to create an unsettling yet compelling introduction to the bands sound.

Following on, the band deliver the stunning A View From Within, with a somewhat serrated and swirling, shoegaze inspired guitar sound that could have been lifted straight from the grooves of Loveless (My Bloody Valentine), whilst Alex Foster’s vocals are more of a refrained hush, adding a welcome, melodic side to the cacophony of sound. Where Did We Lose Each Other is different again, featuring an instantly infectious guitar hook, vocal harmonies and a glorious chorus refrain, as the band impress with a fine slice of shimmering alternative rock.

Under A Stretching Skyline proves to be another highlight, the seven minute track opens with the band creating a storm of driven guitars and crashing drums before Alex delivers a vulnerable touching lead vocal whilst keyboard player Miss Isabel adds barely audible whispers peppering the track to create a softer layer, near hidden beneath the waves of glacial guitar work.

The album finishes with the stunning Muets Aux Temps Des Amours, a brooding melodic number with both male and female spoken word vocals, a delicate crooned lead from Alex and restrained shimmering guitar and keyboard work, completing an intriguing and diverse album on a dreamy high.

Between Illness And Migration may well take it’s cues from the likes of Sonic Youth, Fugazi, My Bloody Valentine and perhaps Shellac, but Your Favorite Enemies have very much mastered their own unique and compelling sound straddling the divide of abrasive post punk and glistening shoegaze, a contagious outing from start to finish.

Rhythm & Booze Rating 9

www.yourfavoriteenemies.com

17 October, 2014

The Mercy Alliance-Some Kind Of Beautiful Story

Filed under: alternative,indie,Recorded Reviews,shoegaze — Tags: new album, some kind of beautiful story, the mercy alliance — willmunn @ 11:46

The Mercy Alliance is a Washington DC based band led by talented singer-songwriter Joe Rathbone, whose latest album, Some Kind Of Beautiful Story, sees him collaborate with producer Thomas Johansen, along with drummer Steve Bowmen (ex Counting Crows) and bassist Brad Jones among others to create an emotive take on rootsy indie rock.

The album opens with a beautiful ode to Joe’s native Washington (called aptly enough Washington) that instantly showcases a dreamy melodic indie sound complete with shimmering guitars and woozy harmony enriched vocals, hinting at a 60’s psychedelic influence that again rears its head on the follow-up, Angel Of Mercy which again washes over  the listener with layers of swirling guitar and keyboard, whilst Joe’s delicately refrained vocals seduce the listener further into the hypnotic sound of The Mercy Alliance.

All For The Love Of You changes direction slightly with fuzzy driven guitars replacing the aforementioned sedated swirls, bringing in a shoegaze influence that’s compounded with the synth undercurrent and chugging bassline. Whilst both This Is How They Know and I Can’t Do It, are both different again with Joe’s melodic vocals being joined by strings and twinkling keyboards further peppering his glorious vision, with the latter majestically swelling to a near orchestral finish.

Libertine is perhaps the most aggressive track on here, with Joe delivering a raw, gritty baritone, whilst the band kick up a storm of stomping beats and stabbing guitars, proving that The Mercy Alliance are equally adapt at traditional indie rock fodder as they are creating trance like epics.

Some Kind Of Beautiful Story is a varied, compelling and contagious album that covers a wide range of melodic indie from a hypnotic songwriter very much on the top of his game, if you’re looking for an inventive take on an otherwise stale sound, I highly recommend the mesmeric sounds of The Mercy Alliance

Rhythm & Booze Rating 8

www.themercyalliance.net

1 May, 2013

Here Is Your Temple-Here Is Your Temple

Filed under: folk,indie,pop,Recorded Reviews,shoegaze — Tags: Here Is Your Temple, New EP — willmunn @ 13:52

On very rare occasions the very first note of a previously unheard track, will instantly grab the attention and captivate the imagination, leaving you spellbound for the duration. Few releases manage to really take hold in a such a bewitching manner, however the first synth prod of So High, by Swedish five-piece Here Is Your Temple grabbed me by my lapels, yanked at my heart strings and left me panting in desire.

Ok so you may have read that and thought that I’m a little over the top, but their are sounds, bands even that just have an ability to truly move me and on Here Is Your Temple’s debut EP they have me lusting with devotion. You see the band merge folky melodies, infectious synths, deft shoe-gaze indie (and even cinematic soundscapes) to create a dazzling intoxicating sound that brings to mind everyone from Beach House to a female fronted M83 or Memory Tapes via the majestic crescendos of The National.

The aforementioned So High opens proceedings with the swirling stabs of synth complimented by a deep pulsating bass hat and chiming guitars all topped with the glacial vocals of Emily McWilliam, a glorious heart melting delivery that possesses from the very first utterance. The contagious pop infused melody brings to mind fellow Scandanavians The Sounds whilst the dreamy instrumentation has me thinking of Teen Dream era Beach House.

From here on in the band can do no wrong, from the dreamlike One Rich with it’s acoustic guitars, moody keyboards and dreamy/weary vocal croon opening that swells and morphs into a glorious synth-pop epic to the majestic rich folk lament Say Hey to the brooding, atmospheric closing number, Daniel, complete with mesmeric male/female call and response vocals that left me aching for more. The self titled debut is simply a work of jaw dropping beauty that I can barely summon the words to describe.

Rhythm & Booze Rating 10

www.hereisyourtemple.com

8 December, 2012

Born Blonde-Signs Of Fear

Filed under: blues,indie,psychedelic,Recorded Reviews,shoegaze — Tags: born blonde, new single, signs of fear — willmunn @ 20:30

Born Blonde maybe something of a new name name to the majority of you and indeed they are to me, however the West London based five-piece hae begun to makes waves across the capitol with their impressive blend of widescreen, cinematic indie rock, combining shoegaze type soundscapes, psychedelic riffs and hook-laden bluesy vocal hooks to dazzling effect.

On the evidence of new single, Signs Of Fear (taken from their recently released debut album, What The Desert Taught You), the band could well be set to make something of a splash in the new year. The track is a stunning combination of shimmering guitar riffs, passionate ravaged blues rock vocals and infectious, heartfelt 60’s tinged harmonies bringing to mind a myriad of classic indie rock bands from The Verve to Spiritualised via the rootsy rock of (Rocks, Country Girl era) Primal Scream, yet still maintaining a sound very much of their own making.

The version of the single I was sent only had the lead track but on that sole outing alone, Born Blonde grab the attention from the get go and demand repeat spins and if a one-track single can do that imagine just how good the album could be. Born Blonde are certainly a band to keep a close eye on in the future if you have an affinity to indie, early 90’s shoegaze,  pyschedelic tinged blues or just a well written, expertly delivered hook-laden anthem.

Rhythm & Booze Rating 9

http://purringheart.tumblr.com/

http://www.facebook.com/bornblondeband

 

24 September, 2012

The Away Days-How Did It All Start

Filed under: indie,Recorded Reviews,rock,shoegaze — Tags: EP, how it all started, the away days — willmunn @ 15:07

The Away Days are an indie rock four-piece hailing from the unlikely location of Istanbul, the first seeds of the band were sown back last year when guitarist/vocalist Oguzcan Ozen met up with fellow guitarist Sezer Koc at college forming the roots of the group. The duo were soon joined by drummer Berk Tekelioglu and bassist Burak Seter, the band decided upon the moniker The Away Days after realising that their sound didn’t really belong there in their native Istanbul having taken their musical influences from the likes of The Maccabees, The Vaccines, Bombay Bicycle Club and The XX among others.

To date the band have already racked up support from the likes of The Guardian, whose website declared the band to be one of the best new finds in March of this year, helping the band gain a great deal of recognition outside of their native country, whilst the likes of top producer Thomas McKay, Sub Pop’s Ron Lewis and Gary Powell of The Libertines have waded in with their support for the band.

How Did It All Start is the bands debut three track EP and as an introduction to the band, it’s pretty much nigh on faultless, intricate guitar, blends effortlessly with infectious riffs and contagious beats, whilst frontman Oguzcan, delivers a sensational indie croon that both aches and intoxicates in equal measure.

The opening track, Dressing Room is simply breath-taking as the band weave a mesmeric spell of clever notes and spiralling picked guitar, rivaling the likes of The Foals for their complex yet addictive approach to all things indie and like the aforementioned Oxford tykes the band have that same ability to embed a massive hook into the proceedings that’ll have even the most casual indie lover returning for repeat spins and if that wasn’t already enticing enough, Oguzcan delivers a stirring yet almost fragile vocal that instantly pings at the heart strings. Hands follows and proves the band are no one trick pony, this time round the band add a little more attitude, as punkish riffs collide with the bands strung out melodies to create a slab of urgency to the the already potent sound.

The Away Days perhaps save the best until last, with the delicate and dreamy, Dear Blender, that see’s the band once again combine layers of intricate guitar to a shimmering beat and wonderous croon that perhaps nods at something of a previously untapped shoegaze indie influence to the group’s sound.

How Did It All Start is (and pardon the pun) a glorious starting point for The Away Days, the band have a unique and evocative sound that should find favour with indie fans the world over, I highly recommend you take the opportunity to discover Istanbul’s finest purveyors of guitar rock before they become global household names.

Rhythm & Booze Rating 9

www.theawaydays.com

https://www.facebook.com/theawaydays

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