Here’s a somewhat strange concept, a covers album of Bob Dylan in what, most people would declare, the poets weakest era (Bob suffered both critically and commerically throughout the decade!!), in fact most music fans maybe fairly ignorant to the majority of Dylan’s 80’s output with the likes of Saved, Knocked Out Loaded and Infidels barely registering on all but the hardened Dylan fans radars.
However producers Jesse Lauter (Elvis Perkins, The Low Anthem) and Sean O’Brien (Dawes, Papa) have set about addressing the forgotten era of Dylan by collaborating with a number of artists and Dylan fans to showcase what you may have been missing.
The album not only is an awareness raising affair for Dylan of the 80’s but also set’s to help raise funds for a fantastic charity, Pencils Of Promise (an organization that builds schools and eductational opportunities in the developing world) by donating a portion of the proceeds of the sale of this album. a win-win situation where purchasers are introduced to some brilliant music and give to the needy.
The compilation itself features a number of big names from the aforementioned Elvis Perkins to Deer Tick, Slash, Craig Finn (Hold Steady) and Dawn Landes & Bonnie “Prince” Billy among others all delivering rousing performances and highlighting the pen of Bob Dylan in the forgotten decade.
The album open’s with a gloriously ramshackle, rustic rendition of Got My Mind Made Up (from Knocked Out Loaded) by Langhorne Slim & The Law who weld together boogie woogie piano, handclaps, strummed acoustics and a raw, rousing, infectious vocal delivery that sets the mood brilliantly. From there on in we’re treated to a variety of styles and approaches as the various artists reintrupt to their own strengths.
Highlights come thick and fast, from the likes of the gorgeous blissed out soul/reggae version of Brownsville Girl (Knocked Out Loaded) by Reggie Watts, the aforementioned Craig Finn with a brilliant piano led (Springsteen-esque) Sweetheart Like You (Infidels), the twanging country of Ivan & Alyosha’s You Changed By Life (Shot Of Love Outtakes), the beautiful folk lament of Dawn Landes & Bonnie Prince Billy’s understated Dark Eyes (Empire Burlesque) and the glorious alternative indie and muted horn assisted Series Of Dreams (Oh Mercy Outtakes) by Yellowcard. Whilst there’s no way you can review this album without mentioning the wonderfully the ahem, more warped, percussion friendly version of Waiting To Get Beat (Empire Burlesque) by Tea Leaf Green and the insane take on Wiggle Wiggle (Under The Red Sky) by Aaron Freeman (Ween) & Slash, which quite frankly has to be heard to be believed.
The seventeen track affair (24 if you manage to track down the deluxe vinyl edition with the bonus download code) is intriguing, captivating and at times surreal journey through the lesser acclaimed works by the most important songwriter born of this world. And if, as the album’s title suggests this only the first volume, sign me up for the subsequent releases now!!
Rhythm & Booze Rating 10