Rhythm & Booze An online music webzine created by music lovers for music lovers.

23 March, 2015

The Woo Town Hillbillies-Hay Fever

Filed under: acoustic,Blog,bluegrass,blues,country,Recorded Reviews,rock n roll — Tags: Hay fever, new album, the woo town hillbillies — willmunn @ 20:44

The Woo Town Hillbillies are a ramshackle musical collective residing in and around Worcester (or Woo Town, if you’re a local), uniting a combination of bluegrass, country and acoustic blues in a bid to become the counties (and beyond) ultimate roots party band and on the evidence of their debut album, Hay Fever they can’t be too far off.

The band use a combination of guitar, mandolin, banjo, ukulele, double bass, harmonica, various percussion instruments and Kazoo to create an infectious, tongue in cheek, rustic riot, that’ll have even the most hardened cynic smiling like a cheshire cat whilst, trying in vein, to stop their foot tapping along.

Hay Fever opens with On The Road Again, a glorious collision of country blues and rock n roll, complete with twanging strings, rolling double bass, kazoo, washboard and a delightfully weathered yet infectious lead vocal that hooks you in from the off.

As the album continues the band showcase a varied array of influences, Dartmoor Girl could be the illegitimate son of Hayseed Dixie and The Beach Boys uniting frolicking banjo with sun-kissed harmonies, Do You, Do I? sounds like it could have been lifted from Blue Hawaii or from the Doc Pomus (Teenager In Love Fame) songbook as a lovely laid-back 50’s pastiche, Oval Room showcases the band’s instrumental skills with a brilliant slice of deep country blues noir, whilst both 4 A.M Girl and (the album’s lone cover) Salty Dog are both lusty, swaggering anthems perfect for a bar full of jubilant half cut punters in search for a good old sing-song.

Hay Fever is a fun fueled album full of bawdy country, good time roots, heartfelt sing-a-longs and more hooks than the Spanish Armada. Glug a beaker of moonshine, kick off them shoes and join the hillbillies, its party time in Woo Town.

Rhythm & Booze Rating 9

www.facebook.com/WooTownHillbillies

Catch The Woo Town Hillbillies Live In The Woo

10th April-Cap & Gown

18th-Cathedral Chaos with The Delray Rockets, Nigel Clark and Skewwhiff

25th-Rise Records CD Launch

26th-The Chesnut

10 March, 2015

Dan Walsh-Incidents And Accidents

Filed under: americana,bluegrass,blues,folk,Recorded Reviews,roots,singer-songwriter,world music — Tags: dan walsh, incidents & accidents, new album — willmunn @ 10:40

Dan Walsh is often touted as one of the UK’s finest banjo platers, described by Uncut as “the read deal, a demon picker”, with both his solo output and work with the award winning Urban Folk Quartet receiving critical acclaim, whilst appearances with the likes of The Levellers and Seth Lakeman have further enhanced his stock.

Incidents & Accidents is Dan’s third solo album to date, following on from the well received Same But Different opus. The new album sees Dan strip his sound back a little relying less on guest appearances (although the likes of Patsy Reid and Meaghan Blanchard do guest) but instead concentrating on delivering bare bone laments and heartfelt instrumentals highlighting the human condition in a touching and poignant manner.

The album opens with Time To Stay, a glorious slice of upbeat banjo fueled blues,paying homage (and battling mixed emotions) to his return to Stafford after six years away, Dan instantly grabs the attention with a deft display of blues picking, hard strumming and a suitably gravelly weathered vocal that instantly had me sat to attention.

Last Rambler follows and showcases Dan’s dexterous finger picking on the first of four compelling and inventive instrumentals highlighting his love of all things bluegrass, gaelic, folk and beyond. Talking of folk, Hermit Of Gully Lake, is a lovely laid-back lament featuring an infectious melody, the aforementioned Patsy Reid’s dancing fiddle  and warm, breezy vocal harmonies.

With A Memory Like Mine (originally by Darrell Scott) is a stunning slice of Americana, with Dan delivering a wonderfully passionate, gritty vocal, whilst his banjo burns a blazing trail. Whiplash Reel is perhaps the pick of the instrumentals, as Dan showcases a new found love for Indian Classical Music with a stunning and compelling tribute picking and bending strings to create a mesmeric groove. Whilst Only Way To Go unites Meaghan Blanchard’s gorgeous vocal harmonies with Dan’s striking croon creating yet another rootsy highlight.

Incidents And Accidents is a varied, inspiring collection covering the entire roots spectrum from folk to country via world music and blues. Both lyrically and instrumentally, Dan and his mesmeric banjo cook up a storm, bringing stories the songs to life without the need for overcooked instrumentation. This is stripped down, stirring roots at its absolute best, a must have addition to any self discerning music fan’s collection.

Rhythm & Booze rating 10

www.danwalshbanjo.co.uk 

Dan Walsh is often touted as one of the UK’s finest banjo platers, described by Uncut as “the read deal, a demon picker”, with both his solo output and work with the award winning Urban Folk Quartet receiving critical acclaim, whilst appearances with the likes of The Levellers and Seth Lakeman have further enhanced his stock.

Incidents & Accidents is Dan’s third solo album to date, following on from the well received Same But Different opus. The new album sees Dan strip his sound back a little relying less on guest appearances (although the likes of Patsy Reid and Meaghan Blanchard do guest) but instead concentrating on delivering bare bone laments and heartfelt instrumentals highlighting the human condition in a touching and poignant manner.

The album opens with Time To Stay, a glorious slice of upbeat banjo fueled blues,paying homage (and battling mixed emotions) to his return to Stafford after six years away, Dan instantly grabs the attention with a deft display of blues picking, hard strumming and a suitably gravelly weathered vocal that instantly had me sat to attention.

Last Rambler follows and showcases Dan’s dexterous finger picking on the first of four compelling and inventive instrumentals highlighting his love of all things bluegrass, gaelic, folk and beyond. Talking of folk, Hermit Of Gully Lake, is a lovely laid-back lament featuring an infectious melody, the aforementioned Patsy Reid’s dancing fiddle and warm, breezy vocal harmonies.

With A Memory Like Mine (originally by Darrell Scott) is a stunning slice of Americana, with Dan delivering a wonderfully passionate, gritty vocal, whilst his banjo burns a blazing trail. Whiplash Reel is perhaps the pick of the instrumentals, as Dan showcases a new found love for Indian Classical Music with a stunning and compelling tribute picking and bending strings to create a mesmeric groove. Whilst Only Way To Go unites Meaghan Blanchard’s gorgeous vocal harmonies with Dan’s striking croon creating yet another rootsy highlight.

Incidents And Accidents is a varied, inspiring collection covering the entire roots spectrum from folk to country via world music and blues. Both lyrically and instrumentally, Dan and his mesmeric banjo cook up a storm, bringing stories the songs to life without the need for overcooked instrumentation. This is stripped down, stirring roots at its absolute best, a must have addition to any self discerning music fan’s collection.

Rhythm & Booze rating 10

www.danwalshbanjo.co.uk

 

4 March, 2015

Krissy Matthews-Scenes From A Moving Window

Filed under: blues,Recorded Reviews — Tags: krissy matthews, new album, scenes from a moving window — willmunn @ 10:19

The Blues is one of those genres that seems to fall in and out of fashion or at the very least in and out of the mainstream public eye, currently it seems to be riding a crest of a wave with the likes of Joe Bonamassa leading the way and young guitar slingers such as Laurence Jones, Danny Bryant, Jo Harman and the alike all snapping at his heals.

Krissy Matthews is another up and coming blues guitarist who to date has shared the stage with everyone from john Mayall and Greg Allman to Beth Hart and Derek Trucks among many others. The 22 year old has already picked up plaudits from the likes of Maverick and R2 magazine, whilst legendary songwriter/producer Peter Brown (Jack Bruce, Peter Green, Jeff Beck, etc) fell for Krissy’s talent and promised to collaborate, having seen him perform live, with the eventual unison resulting in Krissy’s new album, Scenes From A Moving Window. The album bridges not only the generation gap between Pete Brown and Krissy but also blues sub-genres from the full on blues rocker to delicate finger-picking via a bit of boogie-woogie piano as the duo explore the possibilities of their union.

The album opens with a weathered voice and an incredible piece of classic finger picked acoustic guitar before If I Had A Time Machine transforms into a brilliant infectious homage to Krissy’s forefathers name checking the likes of Cream, Hooker, Hendrix and the alike over a collision of blues and powerpop complete with 70’s styled backing harmonies, Hammond like keyboard and a barrage of drums and riffs. The chorus and aforementioned backing vocals instantly hook the listener, whilst Krissy and his backing band kick up a proverbial storm before returning to the acoustic finger picking bringing the track full circle.

I’ve Been Searching proves that the opening track was no one of fluke, as Krissy lays down a Zeppelin/early Purple like groove with hard hitting drums and riffs collide and compliment funky keyboard, whilst Krissy proves he’s no slouch with a short and sharp solo that has both flair and substance.

It Ain’t Worth It promotes Paul Jobson’s keyboard to the foreground as Krissy lays down a blistering slice of boogie-woogie, complete with an instantly infectious sing-a-long chorus and enough swagger to get any bar room swaying, whilst Pete Brown himself joins in towards to the end on backing vocals, with his aged vocals complimenting Krissy’s smooth delivery wonderfully.

Highlights come thick and fast, funky guitar licks and pumping organ signal the glorious groove-laden Out Of Control, Bubbles And The Seven Phones is an otherworldly psychedelic number complete with hovering harmonies, pattered percussion and a flooring, mesmeric instrumental wig-out, Roadsick Blues sees Krissy hit the dirt track with an irresistible, rollicking tongue in cheek country number complete with holler along vocals and parping harmonica, whilst the near ten minute Heading South is a beautiful slice of sun-kissed soulful blues with dazzling instrumentation and bewitching vocals.

Krissy Matthews has delivered a varied and truly intoxicating take on the blues, welding influences old and new to create an album that should be an essential purchase for anyone with a passing interest in rock or blues and see Krissy spoken in the same tones of the modern day giants of the genre.

 

www.krissymatthews.com

 

 

21 February, 2015

Doc Bowling & His Blues Professors-Black Country Boy

Filed under: americana,blues,country,Recorded Reviews — Tags: black country boy, doc bowling & his blues professors, new album — willmunn @ 10:12

 

Black Country Boy, Doc Bowling & His Blues Professors CD

An unusual title for an album, given that the band is based around the London area, but the good Doc was raised on the edge of The Black Country. Its very much a blues album of today, plenty of political satire, and reference to our modern maladies. On that basis alone, it is the blues! dark humour is also present, as befits the subject matter.

First, ‘Black Country Boy’, takes a train ride, the rhythm of the tracks evident as the Black Country towns and scenery slip by. Soot belches out, covering all, its a bit of well crafted fun, rooted in our industrial past.

‘The Fal$e Prophet Blue$’, casts a much darker cloud over man’s intolerance, a fast buck, and consumerism at all cost. Narrated by a gruff-voiced Doc, to a riff that gallops along nicely, with Lawrence Davies, harmonica and Donnie Burke’s honeyed guitar making their presence felt. ‘Goodbye Mary Jane’, brings a country & western song that canters along, complete with chorus and the distinctive presence of Mademoiselle Chat Noir’s violin, it recalls love of a femme fatale, and lightens the mood. Even deeper into ‘cowboy’ territory, the violin more prominent, for a surgical, ‘Look Into My Heart’, based on an old Harry Jackson song. Time to move back firmly into blues territory, and a reflection on the dangers of the road. ‘Pedestrian Crossroads Blues’, turns, going down to the crossroads, into a whole new perspective. Of course it ends in death, as befits the blues, this time flattened by a truck! the car is king, as we listen to the Black Cats violin, layered over Donnie’s slide. Onto another updated blues subject, ‘Murder Suicide Blues’, the tale of death for love, its country blues with the delightful fiddle, rightfully taking the lead. The subject may be dark but the song is fine, with the Doc adding the gritty lyrics.

We up the pace with a more traditional blues riff, lovely slide, and dirty guitar chords, greed rules, beware, its the, ‘Biodiesel Blues’, the crop to fuel our lifestyle instead of feeding the people, serious social comment, befitting some serious blues chords, superb!

‘Church Going Blues’, is the gospel according to Muddy Waters, with lyrics inspired by this quote from the great man, ‘Phew you gotta go to church to get the particular things in your soul you know‘. Its a great, hard hitting sermon.

I’m trying to avoid conveying this CD track by track, but its not easy, the subject matter is a serious reflection on our collective morals and way of life today, it also happens to be very enjoyable. More slide, and a driving rhythm, from Simon Minney on base and Graham Chapman on drums, underscores ‘Wannabe Outlaw Blues’. With lyrics accommodating Daniel Craig, ‘Layer Cake’, Inland Revenue, and bank robbery, you know its going to be a good, a storming closure to the album. The tune is ‘Hi Heel Sneakers’ with some lyrics, ‘stolen’ from Dylan, the whole is excellent. Like cheating the taxman, this CD is a steal, from a band that entertains whilst making observations on the worlds plight, its the return of the protest song. I’m very pleased to have a copy in my hands, and recommend you check it out.

http://bluesprofessors.com

 

Words & Photo Graham Munn

19 February, 2015

Finlay Morton-The Devil Ain’t Getting My Soul

Filed under: blues,folk,Recorded Reviews,rock — Tags: finlay morton, new single, the devil ain't getting my soul — willmunn @ 20:45

Singer-songwriter, Finlay Morton has a new album, Harvest The Wind out very shortly but before that, Finlay makes the unusual decision to release a single lifted from his previous album, Back To Basics, which was released a couple of years ago.

It would seem that somewhat belatingly Radio Two has got behind the track,  The Devil Ain’t Getting My Soul, with the likes of Janice Long, Jeremy Vine and Huey Morgan singing the songs merits and regularly spinning the disc, which of course should (and how could it not) whet the listeners appetite for Finlay’s forthcoming album.

The Devil Ain’t Getting My Soul is a brilliant bluesy number complete with some sensational searing guitar work, tongue in cheek lyrics about mortality, subtle yet affecting keyboards, gospel backing singers and Finlay’s evocative, gravelly lead vocal tones that bring to mind the late great J.J. Cale or a more passionate Chris Rea.  As singles go this pretty much has it all, a killer hook, inspired instrumentation and that winning combination of grit and soul, it’s no wonder that Radio 2 have picked up on it.

So whilst it’s a little unusual that Finlay Morton’s new single isn’t on the forthcoming album, not only should it help gain momentum and whet the appetite for the future long player, but it also more than deserves some attention and acclaim on its own merits, as well as showcasing of the irresistible  wares of one of the finest singer-songwriters around, checkout the single, buy up the back catalogue and wait for that new album.

 

Rhythm & Booze Rating 10

www.finlaymorton.com

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