Rhythm & Booze An online music webzine created by music lovers for music lovers.

23 March, 2015

The Woo Town Hillbillies-Hay Fever

Filed under: acoustic,Blog,bluegrass,blues,country,Recorded Reviews,rock n roll — Tags: Hay fever, new album, the woo town hillbillies — willmunn @ 20:44

The Woo Town Hillbillies are a ramshackle musical collective residing in and around Worcester (or Woo Town, if you’re a local), uniting a combination of bluegrass, country and acoustic blues in a bid to become the counties (and beyond) ultimate roots party band and on the evidence of their debut album, Hay Fever they can’t be too far off.

The band use a combination of guitar, mandolin, banjo, ukulele, double bass, harmonica, various percussion instruments and Kazoo to create an infectious, tongue in cheek, rustic riot, that’ll have even the most hardened cynic smiling like a cheshire cat whilst, trying in vein, to stop their foot tapping along.

Hay Fever opens with On The Road Again, a glorious collision of country blues and rock n roll, complete with twanging strings, rolling double bass, kazoo, washboard and a delightfully weathered yet infectious lead vocal that hooks you in from the off.

As the album continues the band showcase a varied array of influences, Dartmoor Girl could be the illegitimate son of Hayseed Dixie and The Beach Boys uniting frolicking banjo with sun-kissed harmonies, Do You, Do I? sounds like it could have been lifted from Blue Hawaii or from the Doc Pomus (Teenager In Love Fame) songbook as a lovely laid-back 50’s pastiche, Oval Room showcases the band’s instrumental skills with a brilliant slice of deep country blues noir, whilst both 4 A.M Girl and (the album’s lone cover) Salty Dog are both lusty, swaggering anthems perfect for a bar full of jubilant half cut punters in search for a good old sing-song.

Hay Fever is a fun fueled album full of bawdy country, good time roots, heartfelt sing-a-longs and more hooks than the Spanish Armada. Glug a beaker of moonshine, kick off them shoes and join the hillbillies, its party time in Woo Town.

Rhythm & Booze Rating 9

www.facebook.com/WooTownHillbillies

Catch The Woo Town Hillbillies Live In The Woo

10th April-Cap & Gown

18th-Cathedral Chaos with The Delray Rockets, Nigel Clark and Skewwhiff

25th-Rise Records CD Launch

26th-The Chesnut

14 November, 2014

Andy Fairweather Low & Lowriders-Zone-O-Tone

Filed under: blues,Recorded Reviews,rock n roll — Tags: andy fairweather low, new album, zone-o-tone — willmunn @ 21:11

Andy Fairweather Low has done it all in music, a guitarist (and frontman with Amen Corner) with a CV that includes stints with the likes of Eric Clapton, Roger Waters and Bill Wyman, sessions with everyone from Dylan to The Bee Gees via BB King and Kate Bush to name but a handful, as well the sessions and countless tours with a who’s who of rock royalty Andy also finds time to regularly perform and record with his own band The Lowriders, so just how he’s still managed to remain under the radar of most music fans is one of the modern mysteries of the world.

Zone-O-Tone is Andy and the aforementioned Lowriders latest album and once again showcases Andy’s varied musical loves from upbeat rock n roll to slow jazz and 50’s styled crooners. The album is a varied affair but the quality never once dips with Andy and his band on top form throughout despite their advanced years.

The album opens with the wonderfully spirited Dance On, a glorious slice of infectious rock n roll complete with an instantly memorable riff and a spritely vocal delivery as the extended band kick up a storm propelling the number onwards. From there the band deliver a couple of slower number in the shape of Deep River Blues and the jazzy Let Me Be Your Angel with Andy’s warm weathered croon (think modern day Nick Lowe) shining brightly before returning to their early rock n rolls roots with the brilliant hook-laden Roll Ya Activator.

The album continues in much the same vein with highlights coming thick and fast in the shape of the ballsy blues rock of Breakin’ Chains with its combination of hard hitting riffs, parping horns, driving rhythms and a gloriously ragged lead vocal, La La Music is a swinging rock number with pulsating horns, crunchy rock n roll riffs and a suitably bolshy vocal that could have been lifted straight from the pages of The Blues Brothers script. Whilst You’ll Never Beat The Devil combines an infectious blues riff and Paul Carrack’s addictive Hammond organ to create a brilliant, blustery blues number featuring the devil himself on backing vocals!!

Zone-O-Tone continues Andy’s rich legacy as one of the nations most underrated hard working blues/rock n roll crooners out there, the intoxicating varied mix of genres compels throughout, Andy’s voice is as strong as ever whether he’s delivering a delicate croon or a full throttle rocker, whilst the musicianship on offer from Fairweather Low and The Low Riders is second to none. Perhaps Zone-O-Tone will finally help Andy Fairweather Low receive the recognition he so richly deserves.

Rhythm & Booze Rating 9

www.andyfairweatherlow.com

Competition: I have three copies of Zone-O-Tone to give away for those of you that can answer the following question:-

What was the name of Andy’s first solo album released in 1974?

Email your answers and name and address to [email protected] (before Nov. 30th) winners will be picked at random

16 October, 2014

Danny & The Champions Of The World-Live Champs!

Filed under: acoustic,americana,Blog,country,folk,Recorded Reviews,rock n roll,roots,soul — Tags: danny and the champions of the world, live champs, new album — willmunn @ 19:27

A few years back I got to see Danny & The Champions Of The World perform at a small basement club in Cheltenham (Subtone) supporting their recently released album, Hearts And Arrows, the band were a revelation, the album was damn good, but the live experience was on another level completely. That night the band blended rootsy Americana with soul and the rock ‘n’ roll attitude of Springsteen, every song hit the mark, every morsel lapped up by an audience at fever pitch and even now I’d regard it as one of the best gigs I’ve attended among literally hundreds over the years.

So when the chance popped up to review a double live album (recorded this year at the Jazz Cafe, Camden) by Danny George Wilson and maverick band, I leapt at the chance to don my headphones and disappear into a world of stripped down rock, strummed acoustics, parping sax, rich harmonies and pedal steel guitar.

The album opens with the band building up a wall of sound before dropping down to a  gorgeous slice of drums and pedal steel guitar before Danny delivers his gorgeous folky (Dylan-esque) croon. (Never Stop Building) That Old Space Rocket is a glorious opener, instantly showcasing that rich and rootsy sound that could hark straight out of Woodstock (think the organic sounds of The Band!!). only with an additional inspired sax solo, stretching the sound into a cosmic soul direction.

Cold Cold World follows, adding vocal harmonies to an already potent sound creating a 60’s pop feel, whilst the combination of the aforementioned pedal steel and acoustic guitar keep the rootsy sound very much at the forefront. Let’s Grab This With Both Hands is a stunning soul number with Danny really letting his expressive voice go over rolling beats and horns that could have been lifted from a best of Stax compilation, highlighting those various influences that make Danny & The Champions Of The World such an experience.

The first CD continues in much the same vein, stripped down Americana colliding with big soul and timeless rock ‘n’ roll effortlessly, from the rousing, eleven minutes plus of Colonel & The King with it’s “Elvis is a flaming star” refrain and squalling electric guitar and sax solo’s to the organ drenched, country soul of  Darlin’ Won’t You Come In From The Cold, to the band’s tale of the road and firm fan favourite, Henry The Van, a gorgeous folk lament of touring and the band’s old mode of transportation, which even had me singing-along months later in the comfort of home.

The second CD opens with a pounded beat, those stunning pedal steel tones and a quite breathtaking twelve minute plus take on Other Days that again showcases the depth and musicality of the band’s sound, with each of the members of the Champions being allowed to express themselves, whilst Danny introduces the band.

From there the band take it home with a further five tracks that simply blow your socks off, beginning with the one-two winning combo of Every Beat Of My Heart and You Don’t Know (My Heart is In The Right Place) where the band unveil their inner E-Street Band fantasies with a couple of slabs of prime time, driving rock ‘n’ roll that’ll have the most restrained music fan punching the air in salute.

The band could have finished there, but no, Danny and the boys somehow muster the energy to unleash a thirteen minute take on Restless Feet with support act for the night, Trevor Moss and Hannah Lou joining the band for additional vocal harmonies whilst the band weave their magic, with thrilling solos and driving riffs aplenty (checkout the stunning sax solo by Geoff Widowson). whilst the crowd show their appreciation clapping, hollering and crooning along gleefully.

There’s still time for a show stopping encore of Been There Before and a wonderfully ragged, stop-start, grand finale of These Days (again assisted by Trevor and Hannah on vocal duties) leaving the crowd (and me) baying for yet more.

Live Champs is a mind-blowing live album, the band are in glorious form throughout, Danny’s vocals are incredible from folky croon to soulful holler, whilst the song selection highlights the rich and varied sound of the band’s back catalogue. As for production, well it’s so crisp, you can almost smell the cider from the punter by the bar, few live albums truly capture a live atmosphere, but this one does and then some, it leaves you elated, drained and desperate for a repeat performance, like all memorable gigs do.

If you buy one live album, no scrap that one album period, this year make it Live Champs, the perfect document of the best live act in the UK right now.

Rhythm & Booze Rating 10

www.dannyandthechamps.com

25 September, 2014

The Blues Band Live @ The Artrix, Bromsgrove, 20/9/14

Filed under: blues,rock,rock n roll — Tags: bromsgrove, the artrix, the blues band — willmunn @ 20:00

Blues band At The Artrix, Bromsgrove 20/09

The Artrix theatre was a sell out for the return of The Blues Band, Paul Jones addressed the fans with an introduction to an old video from 1980, Live At Rockfest,from the bands fledgling days, apparently distributed widely throughout Europe, only Scotland missing out!!!! ‘Come Into My Kitchen’ was an invite to Dave Kelly taking lead and some lovely slide with ‘Talk To My baby’. Son House’s, ‘Death Letter’ follows, as with all Blues Band gigs, the baton is passed around, Paul, Dave, Tom McGuinness, with an occasional song from Gary Fletcher, the bassist. That’s not to overlook the significance of Rob Townsend on drums, silent vocally, but very much heard. Each ‘sample’ their own albums from past and present, its the hard sell; with tongue placed firmly in cheek, a problem for harmonica players perhaps? You also get a potted history of the blues from both Paul and Dave. A very nice ‘San Francisco Bay Blues’, in EC style, then Tom was ‘Heading For A Breakdown’ before a superb ‘Dust My Broom’, from Dave, sighting the time he paid 12’6p to see Howling Wolf and Elmore James on the same bill! Gary Fletcher drops in his one and only, to date, album and growls through ‘I Am The Doctor’, but at last, a Blues Band joint effort, takes us to the break with, ‘Suddenly I Like It’.

Now, what I do appreciate is the band comes straight into the foyer, and yes, they flog their individual CD’s, (whilst their ‘agent’ takes care of the Band recordings); BUT, they also mix and chat to their admiring fans. It does not matter whether you are buying or not, they give you a little time, sadly not all bands remain so grounded, after all, its the fans that create the stage for any performer.

Back to the stage, the band are on full flow, a bit of fun from Mr Kelly, ‘I Can’t Get My Ass In Gear, Too Much Wine And Too Much Beer’, sounds OK to me. BB King’s ‘Stepping Out’, and straight into ‘These Shoes’ with some excellent harp from Paul. A quick step ‘Outside My Head’, from Gary with mandolin, and Paul moves to demonstrate why he rightly has his place in the ‘Hall Of Fame’, launching into ‘Flat Foot Sam’ and a stretched out, superlative solo. Tom has his Fender behind his head, for a bit of shake rattle and roll, as we head toward the end, but not quite yet. The Blues Band gave us ‘Aint Gonna Work On Maggie s Farm No More’, their one and only chart success. It had been an entertaining evening, plenty of chorusing and lively banter, its The Blues Band, you would expect nothing less.

 

Words and photo Graham Munn

31 July, 2014

Various Artists-Bob Dylan In The 80’s Volume One

Filed under: acoustic,alternative,americana,blues,compilation,country,folk,indie,R&B / Soul,Recorded Reviews,reggae,rock,rock n roll,roots,singer-songwriter — Tags: blitzen trapper, bob dylan in the 80's, Bonnie Prince Billy, Built To Spill, Carl Broemel, craig finn, Dawn Landes, Deer Tick, Elvis Perkins, Glan Hansard, Langhorne Slim, lucius, new album, Reggie Watts, various artists — willmunn @ 12:36

Here’s a somewhat strange concept, a covers album of Bob Dylan in what, most people would declare, the poets weakest era (Bob suffered both critically and commerically throughout the decade!!), in fact most music fans maybe fairly ignorant to the majority of Dylan’s 80’s output with the likes of Saved, Knocked Out Loaded and Infidels barely registering on all but the hardened Dylan fans radars.

However producers Jesse Lauter (Elvis Perkins, The Low Anthem) and Sean O’Brien (Dawes, Papa) have set about addressing the forgotten era of Dylan by collaborating with a number of artists and Dylan fans to showcase what you may have been missing.

The album not only is an awareness raising affair for Dylan of the 80’s but also set’s to help raise funds for a fantastic charity, Pencils Of Promise (an organization that builds schools and eductational opportunities in the developing world) by donating a portion of the proceeds of the sale of this album. a win-win situation where purchasers are introduced to some brilliant music and give to the needy.

The compilation itself features a number of big names from the aforementioned Elvis Perkins to Deer Tick, Slash, Craig Finn (Hold Steady) and Dawn Landes & Bonnie “Prince” Billy among others all delivering rousing performances and highlighting the pen of Bob Dylan in the forgotten decade.

The album open’s with a gloriously ramshackle, rustic rendition of Got My Mind Made Up (from Knocked Out Loaded) by Langhorne Slim & The Law who weld together boogie woogie piano, handclaps, strummed acoustics and a raw, rousing,  infectious vocal delivery that sets the mood brilliantly. From there on in we’re treated to a variety of styles and approaches as the various artists reintrupt to their own strengths.

Highlights come thick and fast, from the likes of the gorgeous blissed out soul/reggae version of Brownsville Girl (Knocked Out Loaded) by Reggie Watts, the aforementioned Craig Finn with a brilliant piano led (Springsteen-esque) Sweetheart Like You (Infidels), the twanging country of Ivan & Alyosha’s You Changed By Life (Shot Of Love Outtakes), the beautiful folk lament of Dawn Landes & Bonnie Prince Billy’s understated Dark Eyes (Empire Burlesque) and the glorious alternative indie and muted horn assisted Series Of Dreams (Oh Mercy Outtakes) by Yellowcard. Whilst there’s no way you can review this album without mentioning the wonderfully the ahem, more warped, percussion friendly version of Waiting To Get Beat (Empire Burlesque) by Tea Leaf Green and the insane take on Wiggle Wiggle (Under The Red Sky) by Aaron Freeman (Ween) & Slash, which quite frankly has to be heard to be believed.

The seventeen track affair (24 if you manage to track down the deluxe vinyl edition with the bonus download code) is intriguing, captivating and at times surreal journey through the lesser acclaimed works by the most important songwriter born of this world. And if, as the album’s title suggests this only the first volume, sign me up for the subsequent releases now!!

Rhythm & Booze Rating 10

 

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