Rhythm & Booze An online music webzine created by music lovers for music lovers.

10 March, 2015

The Dreaming Spires-Searching For The Supertruth

Filed under: alternative,americana,country,indie,powerpop,Recorded Reviews — Tags: searching for the supertruth, the dreaming spires — willmunn @ 14:47

Searching For The Supertruth is the second album by Oxfordshire based The Dreaming Spires (Robin and Joe Bennett), following on from the critically acclaimed debut, Brothers In Brooklyn, an album that further enhances the duo’s cosmic sound to incorporate indie, roots, harmony enriched 60’s pop and beyond, to create something that’s both timeless and yet somehow new.

The album opens in style with the mesmeric, Still Believe In You, a shimmering slice of cosmic swirling indie, complimented by brothers rich Byrds like harmonies and a lifting psychedelic pop melody that instantly grabs for attention, bringing to mind the likes of Tame Impala, or perhaps a 60’s west coast version of the Flaming Lips. The opening track instantly segues into the gorgeous, strummed acoustic and rolling drums intro of All Kinds Of People, before developing into a glorious widescreen combination of Americana and shimmering indie.

Strange Glue sees The Dreaming Spires change direction to deliver a  hook-laden power-pop anthem, complete with an addictive vocal refrain and infectious fuzzy guitar riffs aplenty, creating a buzzing alternative pop anthem that could have been ripped from the annuals of Apples In Stereo (high praise indeed).

Further album highlights include the sun-kissed, pedal steel assisted, Americana groove of Easy Rider,  the aching country of We Used To Have Parties, featuring the beautiful vocal harmonies of Sarah Cracknell (St Etienne) and the majestic seven minute finale, So Pretty with it’s simplistic piano motif, sawing violin (courtesy of Jackie Oakes) and Robin’s gorgeous vocal drawl.

Searching For The Supertruth is one of those rare albums that you find yourself surrendering to, an album that deserves total immersion, sure there are obvious hooks on the likes of Strange Glue and the funky When The Magic Comes, but there’s also a rich tapestry of layers waiting to be discovered on the aforementioned So Pretty, All Kinds Of People, etc. The Dreaming Spires have crafted a majestic and inventive album that straddles genres and magnificently ignores trends, an album to sit back and saviour.

Rhythm & Booze Rating 9

www.dreamingspires.net 

Dan Walsh-Incidents And Accidents

Filed under: americana,bluegrass,blues,folk,Recorded Reviews,roots,singer-songwriter,world music — Tags: dan walsh, incidents & accidents, new album — willmunn @ 10:40

Dan Walsh is often touted as one of the UK’s finest banjo platers, described by Uncut as “the read deal, a demon picker”, with both his solo output and work with the award winning Urban Folk Quartet receiving critical acclaim, whilst appearances with the likes of The Levellers and Seth Lakeman have further enhanced his stock.

Incidents & Accidents is Dan’s third solo album to date, following on from the well received Same But Different opus. The new album sees Dan strip his sound back a little relying less on guest appearances (although the likes of Patsy Reid and Meaghan Blanchard do guest) but instead concentrating on delivering bare bone laments and heartfelt instrumentals highlighting the human condition in a touching and poignant manner.

The album opens with Time To Stay, a glorious slice of upbeat banjo fueled blues,paying homage (and battling mixed emotions) to his return to Stafford after six years away, Dan instantly grabs the attention with a deft display of blues picking, hard strumming and a suitably gravelly weathered vocal that instantly had me sat to attention.

Last Rambler follows and showcases Dan’s dexterous finger picking on the first of four compelling and inventive instrumentals highlighting his love of all things bluegrass, gaelic, folk and beyond. Talking of folk, Hermit Of Gully Lake, is a lovely laid-back lament featuring an infectious melody, the aforementioned Patsy Reid’s dancing fiddle  and warm, breezy vocal harmonies.

With A Memory Like Mine (originally by Darrell Scott) is a stunning slice of Americana, with Dan delivering a wonderfully passionate, gritty vocal, whilst his banjo burns a blazing trail. Whiplash Reel is perhaps the pick of the instrumentals, as Dan showcases a new found love for Indian Classical Music with a stunning and compelling tribute picking and bending strings to create a mesmeric groove. Whilst Only Way To Go unites Meaghan Blanchard’s gorgeous vocal harmonies with Dan’s striking croon creating yet another rootsy highlight.

Incidents And Accidents is a varied, inspiring collection covering the entire roots spectrum from folk to country via world music and blues. Both lyrically and instrumentally, Dan and his mesmeric banjo cook up a storm, bringing stories the songs to life without the need for overcooked instrumentation. This is stripped down, stirring roots at its absolute best, a must have addition to any self discerning music fan’s collection.

Rhythm & Booze rating 10

www.danwalshbanjo.co.uk 

Dan Walsh is often touted as one of the UK’s finest banjo platers, described by Uncut as “the read deal, a demon picker”, with both his solo output and work with the award winning Urban Folk Quartet receiving critical acclaim, whilst appearances with the likes of The Levellers and Seth Lakeman have further enhanced his stock.

Incidents & Accidents is Dan’s third solo album to date, following on from the well received Same But Different opus. The new album sees Dan strip his sound back a little relying less on guest appearances (although the likes of Patsy Reid and Meaghan Blanchard do guest) but instead concentrating on delivering bare bone laments and heartfelt instrumentals highlighting the human condition in a touching and poignant manner.

The album opens with Time To Stay, a glorious slice of upbeat banjo fueled blues,paying homage (and battling mixed emotions) to his return to Stafford after six years away, Dan instantly grabs the attention with a deft display of blues picking, hard strumming and a suitably gravelly weathered vocal that instantly had me sat to attention.

Last Rambler follows and showcases Dan’s dexterous finger picking on the first of four compelling and inventive instrumentals highlighting his love of all things bluegrass, gaelic, folk and beyond. Talking of folk, Hermit Of Gully Lake, is a lovely laid-back lament featuring an infectious melody, the aforementioned Patsy Reid’s dancing fiddle and warm, breezy vocal harmonies.

With A Memory Like Mine (originally by Darrell Scott) is a stunning slice of Americana, with Dan delivering a wonderfully passionate, gritty vocal, whilst his banjo burns a blazing trail. Whiplash Reel is perhaps the pick of the instrumentals, as Dan showcases a new found love for Indian Classical Music with a stunning and compelling tribute picking and bending strings to create a mesmeric groove. Whilst Only Way To Go unites Meaghan Blanchard’s gorgeous vocal harmonies with Dan’s striking croon creating yet another rootsy highlight.

Incidents And Accidents is a varied, inspiring collection covering the entire roots spectrum from folk to country via world music and blues. Both lyrically and instrumentally, Dan and his mesmeric banjo cook up a storm, bringing stories the songs to life without the need for overcooked instrumentation. This is stripped down, stirring roots at its absolute best, a must have addition to any self discerning music fan’s collection.

Rhythm & Booze rating 10

www.danwalshbanjo.co.uk

 

21 February, 2015

Doc Bowling & His Blues Professors-Black Country Boy

Filed under: americana,blues,country,Recorded Reviews — Tags: black country boy, doc bowling & his blues professors, new album — willmunn @ 10:12

 

Black Country Boy, Doc Bowling & His Blues Professors CD

An unusual title for an album, given that the band is based around the London area, but the good Doc was raised on the edge of The Black Country. Its very much a blues album of today, plenty of political satire, and reference to our modern maladies. On that basis alone, it is the blues! dark humour is also present, as befits the subject matter.

First, ‘Black Country Boy’, takes a train ride, the rhythm of the tracks evident as the Black Country towns and scenery slip by. Soot belches out, covering all, its a bit of well crafted fun, rooted in our industrial past.

‘The Fal$e Prophet Blue$’, casts a much darker cloud over man’s intolerance, a fast buck, and consumerism at all cost. Narrated by a gruff-voiced Doc, to a riff that gallops along nicely, with Lawrence Davies, harmonica and Donnie Burke’s honeyed guitar making their presence felt. ‘Goodbye Mary Jane’, brings a country & western song that canters along, complete with chorus and the distinctive presence of Mademoiselle Chat Noir’s violin, it recalls love of a femme fatale, and lightens the mood. Even deeper into ‘cowboy’ territory, the violin more prominent, for a surgical, ‘Look Into My Heart’, based on an old Harry Jackson song. Time to move back firmly into blues territory, and a reflection on the dangers of the road. ‘Pedestrian Crossroads Blues’, turns, going down to the crossroads, into a whole new perspective. Of course it ends in death, as befits the blues, this time flattened by a truck! the car is king, as we listen to the Black Cats violin, layered over Donnie’s slide. Onto another updated blues subject, ‘Murder Suicide Blues’, the tale of death for love, its country blues with the delightful fiddle, rightfully taking the lead. The subject may be dark but the song is fine, with the Doc adding the gritty lyrics.

We up the pace with a more traditional blues riff, lovely slide, and dirty guitar chords, greed rules, beware, its the, ‘Biodiesel Blues’, the crop to fuel our lifestyle instead of feeding the people, serious social comment, befitting some serious blues chords, superb!

‘Church Going Blues’, is the gospel according to Muddy Waters, with lyrics inspired by this quote from the great man, ‘Phew you gotta go to church to get the particular things in your soul you know‘. Its a great, hard hitting sermon.

I’m trying to avoid conveying this CD track by track, but its not easy, the subject matter is a serious reflection on our collective morals and way of life today, it also happens to be very enjoyable. More slide, and a driving rhythm, from Simon Minney on base and Graham Chapman on drums, underscores ‘Wannabe Outlaw Blues’. With lyrics accommodating Daniel Craig, ‘Layer Cake’, Inland Revenue, and bank robbery, you know its going to be a good, a storming closure to the album. The tune is ‘Hi Heel Sneakers’ with some lyrics, ‘stolen’ from Dylan, the whole is excellent. Like cheating the taxman, this CD is a steal, from a band that entertains whilst making observations on the worlds plight, its the return of the protest song. I’m very pleased to have a copy in my hands, and recommend you check it out.

http://bluesprofessors.com

 

Words & Photo Graham Munn

13 February, 2015

Gretchen Peters-Blackbirds

Filed under: americana,folk,Recorded Reviews,rock,singer-songwriter — Tags: blackbirds, Gretchen Peters, new album — willmunn @ 18:45

I have to admit straight from the off that Gretchen’s previous album Hello Cruel World was something of a favourite around these parts, regularly receiving spins on the iPod on the jaunt back and forth to work, so you can imagine my excitement when Blackbirds dropped through the letterbox.

Scouring the accompanying press release my intrigue and anticipation hit an all time high, as it spoke of a darker edge than her previous opus, eleven tracks that “face down death with a dark grit and delicate beauty” as Gretchen covers illness, murder and mortality in one sitting.

The title track kicks off proceedings and instantly seduced me with noir-ish charm, shuffling drums, twanging guitar and evocative tale of murder, bringing to mind a female (or should that be femme fatale) Christopher Rees (high praise from me!!), as Gretchen delivers a stunning, haunted yet powerful vocal that chills and intoxicates in equal measure.

From such a sinister and dark opening salvo, Gretchen takes us on a compelling journey through style and substance, from the 70’s tinged, harmony enriched Pretty Things with it’s delicate piano and acoustic guitars to the driving Americana tinged rock of When All You Have Is A Hammer, with its feedback ridden intro and invigorating vocal hook (think Springsteen) and on to the stunning piano and string laced ballad, Everything Falls Away.

Gretchen digs further than most lyric writers giving the listener a vivid image of each tale, on the likes of The House On Auburn Street you can imagine yourself there, part of the neighbourhood as the home is reduced to cinders, whilst Black Ribbons is a startling, cinematic tale of a fisherman losing his livelihood and burying his wife complete, a vivid, harrowing tale that’s complimented with the swelling instrumentation and Gretchen’s weathered, vocal take.

The album captivates from the opening chord to the final dying embers, Gretchen’s stirring blackened tales, impeccable arrangements and bruised vocals, seduce and compel in equal measure, whilst the variety and depth will have you returning for more before you know it.

My expectations were high but Blackbirds surpasses anything I could have wished for and then some, definitely one of the must have albums of the year (already!!!)

Rhythm & Booze Rating 10

www.gretchenpeters.com

 

 

16 January, 2015

Andrew Combs-All These Dreams

Filed under: americana,country,pop,Recorded Reviews — Tags: all these dreams, andrew combs, new album — willmunn @ 10:34

Singer-songwriter and Nashville native, Andrew Combs, is something of a new name to me, however he’s already been making great strides both in his native US and indeed here in the UK. Last September Andrew performed at the acclaimed End Of The Road Festival, as well as headlining his first London show. Whilst Combs debut album, Worried Men (2012), released on a small indie label, Coin Records, was named as one of the years best by American Songwriter, whilst Rough Trade made the album one of their choices of the month. Andrew also made something of a name for himself when he accompanied Caitlin Rose on both her US and European tour.

After the attention and acclaim for Andrew’s debut, Americana label of choice (and perfect fit), Loose (here in Europe) picked up Andrew for his second album, All These Dreams. As you would expect with any release associated with Loose, All These Dreams has that rootsy country tinged sound, however there’s more to Andrew’s sound than battered acoustics, he weaves a timeless pop element and hints back to the classic songwriting and delivery of the likes of Orbison and Paul Simon, for Combs has a rich and welcoming sound that could have easily been lifted from yesteryear and yet still sounds fresh today.

All These Dreams opens with Rainy Day Song and the first thing that hit’s you is the glorious deep soulful croon that Combs possesses, his voice is expressive from the outset , whilst the musical arrangement of shuffling beats, acoustic and pedal steel guitars and strings provide a beautiful, lifting melody that instantly captivates. Nothing To Lose adds delicate keys and plucked guitars to proceedings, whilst a glorious sustained vocal hook led chorus brightens even the dreariest days.

All These Dreams offers up a few welcome surprises during it’s eleven track duration, Foolin’ is more of a driving rocker, Strange Bird is an out and out country number complete with whistled middle section, whilst the likes of Pearl and the folky tale of redemption, Slow Road To Jesus are both slowburning ballads that really highlight not only Andrew’s stunning croon, but also his ability to write compelling and visionary tales, drawing the listener deep into the heart of the song.

Andrew Combs maybe a new name to me and I expect you as well, but after listening to this timeless masterpiece, I doubt you’d forget his name again in a hurry, tales of love, sin and redemption haven’t sounded this welcoming in many a year, another essential addition to your record collection courtesy of Loose.

Rhythm & Booze Rating 10

www.andrewcombsmusic.com

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