Rhythm & Booze An online music webzine created by music lovers for music lovers.

10 March, 2015

Dan Walsh-Incidents And Accidents

Filed under: americana,bluegrass,blues,folk,Recorded Reviews,roots,singer-songwriter,world music — Tags: dan walsh, incidents & accidents, new album — willmunn @ 10:40

Dan Walsh is often touted as one of the UK’s finest banjo platers, described by Uncut as “the read deal, a demon picker”, with both his solo output and work with the award winning Urban Folk Quartet receiving critical acclaim, whilst appearances with the likes of The Levellers and Seth Lakeman have further enhanced his stock.

Incidents & Accidents is Dan’s third solo album to date, following on from the well received Same But Different opus. The new album sees Dan strip his sound back a little relying less on guest appearances (although the likes of Patsy Reid and Meaghan Blanchard do guest) but instead concentrating on delivering bare bone laments and heartfelt instrumentals highlighting the human condition in a touching and poignant manner.

The album opens with Time To Stay, a glorious slice of upbeat banjo fueled blues,paying homage (and battling mixed emotions) to his return to Stafford after six years away, Dan instantly grabs the attention with a deft display of blues picking, hard strumming and a suitably gravelly weathered vocal that instantly had me sat to attention.

Last Rambler follows and showcases Dan’s dexterous finger picking on the first of four compelling and inventive instrumentals highlighting his love of all things bluegrass, gaelic, folk and beyond. Talking of folk, Hermit Of Gully Lake, is a lovely laid-back lament featuring an infectious melody, the aforementioned Patsy Reid’s dancing fiddle  and warm, breezy vocal harmonies.

With A Memory Like Mine (originally by Darrell Scott) is a stunning slice of Americana, with Dan delivering a wonderfully passionate, gritty vocal, whilst his banjo burns a blazing trail. Whiplash Reel is perhaps the pick of the instrumentals, as Dan showcases a new found love for Indian Classical Music with a stunning and compelling tribute picking and bending strings to create a mesmeric groove. Whilst Only Way To Go unites Meaghan Blanchard’s gorgeous vocal harmonies with Dan’s striking croon creating yet another rootsy highlight.

Incidents And Accidents is a varied, inspiring collection covering the entire roots spectrum from folk to country via world music and blues. Both lyrically and instrumentally, Dan and his mesmeric banjo cook up a storm, bringing stories the songs to life without the need for overcooked instrumentation. This is stripped down, stirring roots at its absolute best, a must have addition to any self discerning music fan’s collection.

Rhythm & Booze rating 10

www.danwalshbanjo.co.uk 

Dan Walsh is often touted as one of the UK’s finest banjo platers, described by Uncut as “the read deal, a demon picker”, with both his solo output and work with the award winning Urban Folk Quartet receiving critical acclaim, whilst appearances with the likes of The Levellers and Seth Lakeman have further enhanced his stock.

Incidents & Accidents is Dan’s third solo album to date, following on from the well received Same But Different opus. The new album sees Dan strip his sound back a little relying less on guest appearances (although the likes of Patsy Reid and Meaghan Blanchard do guest) but instead concentrating on delivering bare bone laments and heartfelt instrumentals highlighting the human condition in a touching and poignant manner.

The album opens with Time To Stay, a glorious slice of upbeat banjo fueled blues,paying homage (and battling mixed emotions) to his return to Stafford after six years away, Dan instantly grabs the attention with a deft display of blues picking, hard strumming and a suitably gravelly weathered vocal that instantly had me sat to attention.

Last Rambler follows and showcases Dan’s dexterous finger picking on the first of four compelling and inventive instrumentals highlighting his love of all things bluegrass, gaelic, folk and beyond. Talking of folk, Hermit Of Gully Lake, is a lovely laid-back lament featuring an infectious melody, the aforementioned Patsy Reid’s dancing fiddle and warm, breezy vocal harmonies.

With A Memory Like Mine (originally by Darrell Scott) is a stunning slice of Americana, with Dan delivering a wonderfully passionate, gritty vocal, whilst his banjo burns a blazing trail. Whiplash Reel is perhaps the pick of the instrumentals, as Dan showcases a new found love for Indian Classical Music with a stunning and compelling tribute picking and bending strings to create a mesmeric groove. Whilst Only Way To Go unites Meaghan Blanchard’s gorgeous vocal harmonies with Dan’s striking croon creating yet another rootsy highlight.

Incidents And Accidents is a varied, inspiring collection covering the entire roots spectrum from folk to country via world music and blues. Both lyrically and instrumentally, Dan and his mesmeric banjo cook up a storm, bringing stories the songs to life without the need for overcooked instrumentation. This is stripped down, stirring roots at its absolute best, a must have addition to any self discerning music fan’s collection.

Rhythm & Booze rating 10

www.danwalshbanjo.co.uk

 

4 July, 2014

Boy Hits Car-All That Led Us Here

Filed under: metal,Recorded Reviews,rock,unclassifiable,world music — Tags: all that led us here, boy hits car, new album — willmunn @ 14:04

Boy Hits Car are something of a new name to me despite forming back in 1993, apparently the Los Angeles based band originally formed with the idea of fusing heavy passionate music with world beat and middle eastern flavours.

Since their formation the band have released a number of albums (All That Led Us Here is their fifth), been courted by numerous record labels (Arista, Dreamworks, Universal, etc) in the past. Performed at numerous high profile festivals (Reading/Leeds, Puklepop, Rock Am Ring, etc) across the US and Europe as well as supporting the likes of System Of A Down, Incubus, Seether, Shinedown and Papa Roach among others, stealing shows world overm due to their infectious energy and contagious grooves.

On the evidence of All That Led Us Here, it would seem that I have some serious catching up to do, the album is an incredible mix of hard riffs, melodic grooves, crooned and bellowed vocals, elastic bass riffs, laidback verses and punchy hooks, drawing the listener in before spinning off in yet another direction. Think the aforementioned Incubus, Earthtone 9, king Prawn, think Angel Dust era Faith No More.

The album opens with the stunning Silhouettes Fade, featuring acoustic guitars, delicate croons one minute and tight heavy grooves the next, from there on in the band weave a magical spell between groove-laden metal, melodic rock to full on nu-metal via twisting middle-eastern passages and strummed acoustics.

Highlights include Battles Of The Heart opens with a gorgeous delicate croon and a strummed acoustic, before a loud rock riff crashes in to create a stunning melodic rocker complete with a hard hitting infectious chorus, an instantly memorable melody and a glorious combination of aggression and control as the band twist and turn more in the space of four minutes than most bands manage in a life time. Quiet Storm offers up the band’s aforementioned Eastern influence as the track opens with mystic rhythmic patterns and a tight world music groove before the band crank up the amps and the singer ups the ante further with a bellowed vocal hook. Whilst The Extremist (Do You Feel Me On This) offers a delicious elastic bass thump, a lovely brief percussion led middle section and that ever present collision of aggression and melody, that runs throughout All That Led Us Here. Ourglass (As Time Slips Away) is another track well worth a mention with it’s use of pattered percussion and strummed acoustics that run through the duration of the track whilst the band add further layers of electric guitars and driving beats creating an intriguing and unique take on the metal genre.

Boy Hits Car have an interesting and always infectious sound, their use of melodies and subtle eastern grooves helps the band have a real unique twist on an over saturated scene, whilst the songs themselves hook the listener in further and CRegg Rondell’s vocal range, from melodic croon to full on rage adds the perfect topping to an already enticing plate. All That Led Us Here, is compelling from start to finish and like I said at the start of my reviewm if the band’s back catalogue matches up to this gem, I’ve got a lot of catching up to do!!!

Rhythm & Booze Rating 9

www.boyhitscar.com

 

3 July, 2012

The Beijing Gang-Dongdan

Filed under: classical,electronic,Recorded Reviews,world music — Tags: Dongdan, the beijing gang — willmunn @ 11:05

The Beijing Gang are quite unlike anything you’ve ever heard before, a stunning and original take on chilled out electronica created by producer and composer Chris Bermand in conjuction with a number of high profile Chinese classical musicians.

Chris Bermand has released numerous inovative electronic albums sinbce his early days with acid jazzers Marden Hill and filmic chill out group 45 Dip. He has collaborated with a number of the biggest names in electronica from Ashley Beadle to Rob Dougan (checkout the brilliant Clubbed To Death album!!) as well writing and producing countless TV scores.

Chris originally concieved the project when he visited Beijing to find a vibrant club scene that was dominated by generic Western music, he decided there and tehn to set up a studio and create something new, fresh and danceable by fusing traditional Chinese instrumentation with the Western dance influence, bringing in a number of renowned Eastern musicians to create his vision.

Dongdan (Snack Street) was originally released earlier this year as a prelude to the debut album, Tan Qi, the track is a stunning statement of intent, showcasing the wonderful fusion of Western and Eastern influences to create something so different and unique yet instantly memorable and infectious. The combination of chilled out, alm0st elastic beats, vocal samples and intricate classical instrumentation (strings, flute, etc) weave an evocative and intoxicating spell that should appeal to fans of both world music and the more chilled out end of the electronica spectrum.

The track is backed with the usual plethora of remixes, what’s a little bit different is that each remix manages to enhance the listening experience further (the majority of remix affairs bore the living daylights out of me!!!) from the Natty Dub Mix with it’s deep pulsating bass and beats combo to the final extended album mix, The Beijing Gang deliver.

There are loads of variations of electronic music out there but few can match the widescreen vision and originality of The Beijing Gang, a simply breath-taking introduction to the new project by a true innovator.

Rhythm & Booze Rating 9

http://www.beijinggang.com

 

10 May, 2012

The Imagined Village-Bending The Dark

Filed under: acoustic,dubstep,electronic,folk,Recorded Reviews,world music — Tags: bending the dark, the imagined village — willmunn @ 21:16

If you’ve yet to have stumbled across the evocative sounds of The Imagined Village, you’re in for something of a treat, take a number of massive names from the folk world such as Eliza Carthy, Martin Carthy and Chris Wood, add traditional middle eastern instruments sitar, dhol and tabla, add a massive electronic (or dubstep if you prefer) influence and then heat up until boiling point, to create one of the most inventive, original and contagious sounds known to man.

The concept of The Imagined Village was originally was conceived in 2004 as an experiment to see if traditional and traditional performers could unite over the songbook of the aforementioned Martin Carthy and a bring a new twist to his material. The results were a stunning success, with the group’s debut album receiving both critical and commercial success.

The second album, Bending The Dark see’s the band branching out and collaborating further on a batch of all new material whilst adding to their ranks with the addition of relative newcomer Jackie Oates on fiddle and vocals. The new full length realease once again showcases the band’s impressive, bewitching array of sounds and influences.

Right from the opening number, The Guvna, the band weave an intoxicating spell, welding together intriguing loops, ghostly wordless vocals, a pinch of ska, dubstep like beats and a touch of theremin thus creating a delicious groove, setting the mood for the diverse musical adventures ahead.

Captains Apprentice follows, showcasing the group’s more traditional roots as Jackie Oates delivers a short yet sensational ghostly acappella folk tale of murder at sea, that equally intrigues and chills the listener to the core. The Eliza Carthy fronted New York Trader begins as another folky lament before the acoustic guitars and fiddles are joined by subtle chilled out electronic beats forming a unique if not rootsy take on the folktronica tag (Tuung, etc), whilst the use of a horn section (Kick Horns, who have performed with Fema Kuti and Baaba Maal) offers up yet another string to the band’s already impressive bow. The title track see’s Sheema Mukherjee (sitar, vocals) front the band over a combination of acoustic guitar, vocal harmonies, violin and traditional Indian influence that, united with the epic drum battle that closes the track, wouldn’t sound out of place on (the incredible yet underrated) One Giant Leap album of a few years back.

The album continues in much the same rich and varied vein with highlights coming thick and fast from the brass and harmony assisted, jazzy dramatics of Fisherman to the incredible percussion frenzy, Get Kalsi that see’s the band weave a majestic spell of tabla, dhol, breakbeats and plucked fiddle to create a stunning slice of Anglo/Asian fusion that has to be heard to be fully appreciated.

Throughout the album’s duration, The Imagined Village deny convention by blending and straddling musical genres to create an album that’s not only unique but demands continuous repeat spins to reveal the many layers and subtleties that the band have joined to create such a rich and rewarding tapestry. Bending The Dark is a stunning, mesmeric album that defies categorization and should appeal to a wide ranging spectrum of music fan, from the long term admirer of the likes of the Carthy’s to the open-minded modern day electro-folk fanatic via the world music affectinado, The Imangined Village offer something for everyone.

Rhythm & Booze Rating 10

www.imaginedvillage.com

 

28 February, 2012

Amadou & Mariam-Dougou Badia

Filed under: Recorded Reviews,world music — Tags: Amadou and Mariam, dougo badia, santi gold — willmunn @ 13:20

Amadou & Mariam follow up the acclaimed Welcome To Mali with their forthcoming album Folila featuring the likes of Santigold, TV On The Radio and The Yeah Yeah Yeahs among others, Dougou Badia is the first single to be lifted from the album and as preludes go it’s simply sensational.

Amadou & Mariam add Western influences to their already spellbinding Afro-beat influenced sound to create a glorious mix of thrilling electric guitar (courtesy of both Amadou and Nick Zinner of the Yeah Yeah Yeah’s), driving bass, African rhythms and Mariam Doumbia’s sensational and provocative vocals, if that wasn’t enough already the track also features the aforementioned Santigold laying down a few vocals adding extra seasoning to an already appetizing starter that leaves you begging for the main course.

If Folila manages to continue in the same manner as the mesmerising lead single it’s, Dougou Badia, then the album should replicate if not top the success of the all conquering Welcome To Mali.

Rhythm & Booze Rating 10

www.amadoumariam.com/

 

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