Rhythm & Booze An online music webzine created by music lovers for music lovers.

10 March, 2015

Dan Walsh-Incidents And Accidents

Filed under: americana,bluegrass,blues,folk,Recorded Reviews,roots,singer-songwriter,world music — Tags: dan walsh, incidents & accidents, new album — willmunn @ 10:40

Dan Walsh is often touted as one of the UK’s finest banjo platers, described by Uncut as “the read deal, a demon picker”, with both his solo output and work with the award winning Urban Folk Quartet receiving critical acclaim, whilst appearances with the likes of The Levellers and Seth Lakeman have further enhanced his stock.

Incidents & Accidents is Dan’s third solo album to date, following on from the well received Same But Different opus. The new album sees Dan strip his sound back a little relying less on guest appearances (although the likes of Patsy Reid and Meaghan Blanchard do guest) but instead concentrating on delivering bare bone laments and heartfelt instrumentals highlighting the human condition in a touching and poignant manner.

The album opens with Time To Stay, a glorious slice of upbeat banjo fueled blues,paying homage (and battling mixed emotions) to his return to Stafford after six years away, Dan instantly grabs the attention with a deft display of blues picking, hard strumming and a suitably gravelly weathered vocal that instantly had me sat to attention.

Last Rambler follows and showcases Dan’s dexterous finger picking on the first of four compelling and inventive instrumentals highlighting his love of all things bluegrass, gaelic, folk and beyond. Talking of folk, Hermit Of Gully Lake, is a lovely laid-back lament featuring an infectious melody, the aforementioned Patsy Reid’s dancing fiddle  and warm, breezy vocal harmonies.

With A Memory Like Mine (originally by Darrell Scott) is a stunning slice of Americana, with Dan delivering a wonderfully passionate, gritty vocal, whilst his banjo burns a blazing trail. Whiplash Reel is perhaps the pick of the instrumentals, as Dan showcases a new found love for Indian Classical Music with a stunning and compelling tribute picking and bending strings to create a mesmeric groove. Whilst Only Way To Go unites Meaghan Blanchard’s gorgeous vocal harmonies with Dan’s striking croon creating yet another rootsy highlight.

Incidents And Accidents is a varied, inspiring collection covering the entire roots spectrum from folk to country via world music and blues. Both lyrically and instrumentally, Dan and his mesmeric banjo cook up a storm, bringing stories the songs to life without the need for overcooked instrumentation. This is stripped down, stirring roots at its absolute best, a must have addition to any self discerning music fan’s collection.

Rhythm & Booze rating 10

www.danwalshbanjo.co.uk 

Dan Walsh is often touted as one of the UK’s finest banjo platers, described by Uncut as “the read deal, a demon picker”, with both his solo output and work with the award winning Urban Folk Quartet receiving critical acclaim, whilst appearances with the likes of The Levellers and Seth Lakeman have further enhanced his stock.

Incidents & Accidents is Dan’s third solo album to date, following on from the well received Same But Different opus. The new album sees Dan strip his sound back a little relying less on guest appearances (although the likes of Patsy Reid and Meaghan Blanchard do guest) but instead concentrating on delivering bare bone laments and heartfelt instrumentals highlighting the human condition in a touching and poignant manner.

The album opens with Time To Stay, a glorious slice of upbeat banjo fueled blues,paying homage (and battling mixed emotions) to his return to Stafford after six years away, Dan instantly grabs the attention with a deft display of blues picking, hard strumming and a suitably gravelly weathered vocal that instantly had me sat to attention.

Last Rambler follows and showcases Dan’s dexterous finger picking on the first of four compelling and inventive instrumentals highlighting his love of all things bluegrass, gaelic, folk and beyond. Talking of folk, Hermit Of Gully Lake, is a lovely laid-back lament featuring an infectious melody, the aforementioned Patsy Reid’s dancing fiddle and warm, breezy vocal harmonies.

With A Memory Like Mine (originally by Darrell Scott) is a stunning slice of Americana, with Dan delivering a wonderfully passionate, gritty vocal, whilst his banjo burns a blazing trail. Whiplash Reel is perhaps the pick of the instrumentals, as Dan showcases a new found love for Indian Classical Music with a stunning and compelling tribute picking and bending strings to create a mesmeric groove. Whilst Only Way To Go unites Meaghan Blanchard’s gorgeous vocal harmonies with Dan’s striking croon creating yet another rootsy highlight.

Incidents And Accidents is a varied, inspiring collection covering the entire roots spectrum from folk to country via world music and blues. Both lyrically and instrumentally, Dan and his mesmeric banjo cook up a storm, bringing stories the songs to life without the need for overcooked instrumentation. This is stripped down, stirring roots at its absolute best, a must have addition to any self discerning music fan’s collection.

Rhythm & Booze rating 10

www.danwalshbanjo.co.uk

 

14 January, 2015

Justin Townes Earle-Absent Fathers

Filed under: acoustic,americana,country,Recorded Reviews,rock,roots — Tags: absent fathers, justin townes earle, new album — willmunn @ 11:53

In recent months Singer-songwriter Justin Townes Earle’s stock seems to be on the rise, he released the critically acclaimed (and rightfully so), Single Mothers album, performed across the globe and has now returned with a brand new album, Absent Fathers.

The album was recorded at the same time as Single Mothers in view to the completed project being released as a double album, but as Justin began to sequence the tracks he felt that each half deserved to make their own statement and decided to split the two releases and deliver them a few months apart.

Obviously with the two albums being recorded at the same time, with the same line-up, sound wise they compliment one another quite beautifully, they both have that stunning blend of country, soul and understated rock and lyrically they both share that same autobiographical nature, where Justin lays bare his soul, his upbringing, love and loss on the duo’s confessional tales.

Single Mothers became something of a mainstay of my recent playlist and Absent Fathers is almost certain to much the same. From the opening Farther From Me, Justin captivates, his rich soulful tones tumble from the speakers over a wonderful slow and winding country-tinged ballad, featuring twanging guitars and an instantly infectious shuffling beat, from their pedal steel joins on the gorgeous, aching Americana of Why.

Least I Got The Blues, is a stripped back, world-weary country blues number featuring Justin’s voice over a sparse mix of strummed acoustic guitar and pedal steel, Earle sounds weathered and almost beaten as he delivers a delightfully fragile vocal. Elsewhere Day And Night is another beautiful, subtle, candlelit country soul number, where you can hear the emotion in Justin’s voice as he pours his heart out, both Round The Bend and Someone Will Pay showcase a rougher rock n’ roll edge, but yet despite the more upbeat sound he still unveils lyrical barbed couplets (Round The Bend) such as “And your momma’s only boy, your daddy’s only shame” alluding to his upbringing and absent father. 

Absent Fathers much like its predecessor showcases a singer-songwriter very much at the top of his game, there’s no flashy arrangements or unnecessary flourishes, just stark, poetic portraits, compelling tales and Justin Townes Earle’s evocative worn vocals, stunning, simple and unforgettable.

Rhythm & Booze Rating 10

www.justintownesearle.com

 

23 October, 2014

Stompin’ On Spiders-Blacklisted

Filed under: blues,folk,Recorded Reviews,roots — Tags: Blacklisted, new album, Stompin' On Spiders — willmunn @ 15:48

Stompin’ On Spiders are a three-piece hailing from in and around hte Malvern area, the foundations of the band first formed back in 2009 and since then the band have become main stays of the Worcester music scene as well as regularly venturting out of the counties boundaries, during the band’s life span they’ve previously released a couple of well received albums, whilst individual members of the band have also been seen treading the boards with the likes of Highway 5, Stripped Down Bluies and The Cowley Cowboys among others.

Blacklisted, the band’s third album sees the band expand their number and indeed, with the addition of Mark Miletech on double bass and Debbie Robinson, who adds some celtic harp on a bluesy mellow track during the album.

Now before I delve into the music itself, I must quickly mention hte packaging of the new album, the release itself found it’s way to me as a wonderfully presented credit card like USB that features the album, a video and a promo pic, all complimented by a nice looking booklet that features an introduction to the band, lyrics and song explanations, etc. The format is innovative and very welcome in my book, it’s really nice to see a band push the boundaries with presentation of an album and it activally encourages interest, as opposed to the standard CD format (or worse the dreaded MP3), so for that alone Stompin’ On Spiders should be commended.

The album itself is a little hit and miss to be honest, it opens with the mellow folky blues of Schizophrenic City, which is a decent enough opener without really grabbing you by the lapels, the combination of strummed acoustics and bluesy electric riffs works nicely, but the song never really hooks you in, then from there the band kind of jump around a little from engaging blues to mellow and meandering 60’s influenced folk.

The album features a number of tracks that do make you sit up and take notice, Blacklist Blues is a prime example, a darker, brooding number, with stomping blues riffs and pattered percussion backing perhaps the most convincing vocal on the album, whilst the likes of Cloud Seeding and the energetic and restless blues of Katie Shoot The Gun also deserve merit, whilst the instrumental jam during The Great Divide proves the band to be more than able musicians.

However the more refrained numbers, such as Angry Again and Charlie’s Smile lack a little bite, the vocals are a bit weak to carry the tune and don’t really engage the listener, whilst musically they meander without ever reaching the desired destination and the vocal restrain on the otherwise impressive album closer, Ten Thousand Miles is completely uneccesary and a little cheesy.

I think Stompin’ On Spiders have got a decent blues album in their locker somewhere and I’d like to hear them perhaps pursue the sound of the aforementioned Blacklist Blues a little more but at the moment the band frustrate, I like roots and folk as much as the next man (actually probably more) however a stripped down sound does expose any weaknesses and unfortunately a few of the track on here do just that.

Rhythm & Booze Rating 6

 

 

16 October, 2014

Danny & The Champions Of The World-Live Champs!

Filed under: acoustic,americana,Blog,country,folk,Recorded Reviews,rock n roll,roots,soul — Tags: danny and the champions of the world, live champs, new album — willmunn @ 19:27

A few years back I got to see Danny & The Champions Of The World perform at a small basement club in Cheltenham (Subtone) supporting their recently released album, Hearts And Arrows, the band were a revelation, the album was damn good, but the live experience was on another level completely. That night the band blended rootsy Americana with soul and the rock ‘n’ roll attitude of Springsteen, every song hit the mark, every morsel lapped up by an audience at fever pitch and even now I’d regard it as one of the best gigs I’ve attended among literally hundreds over the years.

So when the chance popped up to review a double live album (recorded this year at the Jazz Cafe, Camden) by Danny George Wilson and maverick band, I leapt at the chance to don my headphones and disappear into a world of stripped down rock, strummed acoustics, parping sax, rich harmonies and pedal steel guitar.

The album opens with the band building up a wall of sound before dropping down to a  gorgeous slice of drums and pedal steel guitar before Danny delivers his gorgeous folky (Dylan-esque) croon. (Never Stop Building) That Old Space Rocket is a glorious opener, instantly showcasing that rich and rootsy sound that could hark straight out of Woodstock (think the organic sounds of The Band!!). only with an additional inspired sax solo, stretching the sound into a cosmic soul direction.

Cold Cold World follows, adding vocal harmonies to an already potent sound creating a 60’s pop feel, whilst the combination of the aforementioned pedal steel and acoustic guitar keep the rootsy sound very much at the forefront. Let’s Grab This With Both Hands is a stunning soul number with Danny really letting his expressive voice go over rolling beats and horns that could have been lifted from a best of Stax compilation, highlighting those various influences that make Danny & The Champions Of The World such an experience.

The first CD continues in much the same vein, stripped down Americana colliding with big soul and timeless rock ‘n’ roll effortlessly, from the rousing, eleven minutes plus of Colonel & The King with it’s “Elvis is a flaming star” refrain and squalling electric guitar and sax solo’s to the organ drenched, country soul of  Darlin’ Won’t You Come In From The Cold, to the band’s tale of the road and firm fan favourite, Henry The Van, a gorgeous folk lament of touring and the band’s old mode of transportation, which even had me singing-along months later in the comfort of home.

The second CD opens with a pounded beat, those stunning pedal steel tones and a quite breathtaking twelve minute plus take on Other Days that again showcases the depth and musicality of the band’s sound, with each of the members of the Champions being allowed to express themselves, whilst Danny introduces the band.

From there the band take it home with a further five tracks that simply blow your socks off, beginning with the one-two winning combo of Every Beat Of My Heart and You Don’t Know (My Heart is In The Right Place) where the band unveil their inner E-Street Band fantasies with a couple of slabs of prime time, driving rock ‘n’ roll that’ll have the most restrained music fan punching the air in salute.

The band could have finished there, but no, Danny and the boys somehow muster the energy to unleash a thirteen minute take on Restless Feet with support act for the night, Trevor Moss and Hannah Lou joining the band for additional vocal harmonies whilst the band weave their magic, with thrilling solos and driving riffs aplenty (checkout the stunning sax solo by Geoff Widowson). whilst the crowd show their appreciation clapping, hollering and crooning along gleefully.

There’s still time for a show stopping encore of Been There Before and a wonderfully ragged, stop-start, grand finale of These Days (again assisted by Trevor and Hannah on vocal duties) leaving the crowd (and me) baying for yet more.

Live Champs is a mind-blowing live album, the band are in glorious form throughout, Danny’s vocals are incredible from folky croon to soulful holler, whilst the song selection highlights the rich and varied sound of the band’s back catalogue. As for production, well it’s so crisp, you can almost smell the cider from the punter by the bar, few live albums truly capture a live atmosphere, but this one does and then some, it leaves you elated, drained and desperate for a repeat performance, like all memorable gigs do.

If you buy one live album, no scrap that one album period, this year make it Live Champs, the perfect document of the best live act in the UK right now.

Rhythm & Booze Rating 10

www.dannyandthechamps.com

25 September, 2014

Matt Woosey-Wildest Dreams

Filed under: acoustic,blues,country,Recorded Reviews,roots,soul — Tags: matt woosey, new album, wildest dreams — willmunn @ 19:54

 

Wildest Dreams, Matt Woosey, Album Release November 3rd

Most of you who have seen and heard Matt Woosey perform, either solo, or with his band, will know him to be a talented blues man, acoustic guitarist and an excellent writer. Matt does not need to fill his set with blues classics, though sometimes the odd song may be slipped in. He is also gifted with an excellent voice, capable of gentle, melodic country songs or spitting out the grit when a bit of passion is required. His last full album, ‘On The Wagon’, has provided plenty of material for a Woosey gig, a follow up EP bridged the gap to this new release, Wildest Dreams. This is where we find new elements to Matt’s work, the style is more expansive. There is still a blues connection, its an anchor that does not lift easily, but the album opens into new areas, Matt is spreading his wings. My initial thought on first play through was, wow, this is bloody good. Dissect it and you will certainly find blue veins, but you’ll also find a a massive heart, pumping out rock, country, maybe even some gypsy jazz. It starts with a beautifully written and performed,’Exactly As We Please’, a song about shared moments alone with someone you love. Then comes Wildest Dreams, bags of reverb opening with Tom Tom, and finding an ethereal Matt, evoking feelings of Woodstock and an almost forgotten era of peace and love.

‘I’ve Seen The Bottom’, starts slightly sullen and blue, but quickly bursts into a glorious rock anthem complete with Hammond Organ, and great, emotive, one liner lyrics. ‘Don’t Tell Nobody’, is a deliciously dark tale of forbidden fruits, and is, quite simply, superb.

Here we switch to the near 3 minutes of mesmerising gypsy jazz finger picking guitar lead in to, ‘Love Is The Strangest Thing’, where the lyrics float in like a sea mist, and still that guitar plays on. Two songs are lifted straight from The previous EP, always destined, I suspect, for an album, ‘Hook Line & Sinker’ is joined by ‘let It Flow’, both very worthy inclusions. This album was recorded, mixed and mastered in 4 days flat, at Monnow Valley Studio under Tony Hobden. Dave Small on percussion, was also joined by Paul Quin on Hammond, and Rob Newell on bass. Including ‘Hook Line & Sinker’, is pretty appropriate, because that is exactly how it grabs you. Its difficult to select a favourite or stand out track, they are all that good, but I do particularly like the steamy, ‘Don’t Tell Nobody’. This is a long way from being a formulaic album, the genre are varied, with the common thread of Woosey talent stitching it all together. To record this in just a few days, points to the select group of collaborators and the inspiration engendered by Lisa, Matt’s partner.

I cannot find the words to do justice to this CD, it is stunningly good, it deserves to find a much wider market than the blues genre alone, can provide. Matt has long demonstrated his musical credentials, a good vintage has matured into a premier Cru.

 

Words Graham Munn

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