Rhythm & Booze An online music webzine created by music lovers for music lovers.

22 August, 2013

Hey You Guys! Album Launch Party-Marrs Bar.

Filed under: alternative,Blog,indie,Live Reviews,metal,punk,rock — Tags: hey you guys!, the marrs bar, the rattlin' doors, this wicked tongue, Worcester — willmunn @ 11:46

Hey You Guys!/This Wicked Tongue?Rattlin Doors Live @ The Marrs Bar, Worcester 16/8/13

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Hey You Guys! are the latest project from local mainstays Pete Adams, Dave Draper, Oly Edkins and Ben Pemberton, a quartet who have trod the boards under numerous guises (too many to mention here) before joining forces to create a potent, rough and ready mix of garage punk, infectious rock and rowdy indie. Since their inception they’ve played a handful of gigs here and there, whilst honing their brash and ballsy debut album Gasp! Shock! Horror! before unleashing it on the world with a side order of pass the parcel, balloons and party poppers thrown in for good measure.

Before I get to the main event I want to mention the two support acts for this prestigious event. Having recently reviewing the debut single by Rattlin’ Doors, my expectations for the rowdy trio were suitably high, here was a band that on disc at least took elements of feral blues, post punk and menacing country add some adrenaline and a whole lot of attitude and serve it up in three minute spiky blasts. From the opening number the band managed to exceed any preconceptions with a stunning ramshackle set of blues/punk riffs, infectious rhythms and howling half sung/half hollered vocals that compelled even the most casual of listener. Obvious highlights included the aforementioned single, In The Treehouse, the contagious Merseybeat and a wild take of Love In Vain (by Robert Johnson) to name but a few. 

This Wicked Tongue were chosen as the main warm-up act and as ever the band delivered a solid set of female fronted rock, the band set about laying down a tight groove complete with metallic riffs, bombastic drums and catchy hooks, whilst Tina V showcased her finest rock wail, whilst rocking out with the audience and throwing her finest shapes displaying exactly why she is regarded as one of the finest singers to grace the various local arenas. The band delivered a couple of brand new tracks which bode well for their next release whilst long term favourite 22 was delivered with a new sense of urgency as the band shook the audience into life.

And so to the main event, Hey You Guys! performing their entire debut album plus a thrash through a We Are Sciencists cover and a brand new track all to the delight of the assembled masses. Now any act that includes Dave Draper among their number are going to deliver a flurry of hard hitting serrated riffs but I’ve not seen the guitarist this animated before, he was throwing shapes, singing along and delivering punchy riff after punchy riff as if it was going out of fashion add to this the one-two knockout rhythm section of Oly Edkins and Ben Pemberton, who pummeled and strangled their instruments into submission leaving the audience drained but exhilarated. Topping off this already potent force was a newly energised master of ceremonies, Pete Adams, who came across as a reborn frontman, hollering, shouting, and gesticulating wildly.

Imagine if you will a fine combination of The Wildhearts, Art Brut, (long forgotten UK rockers) Honeycrack and a metallic Carter and you’re in the right kind ballpark for the glorious sounds of Hey You Guys! a perfect unison of rock, metal, infectious indie and punk with shout at the top of your lungs vocal hooks and layers of thick fuzz that just demands you to throw yourself across the room. To pick out individual highlights would do other tracks a disservice however opener and album title track Gasp! Shock! Horror! laid down the foundations whilst Record Deal, Whiter Shade Of Pale and The Three Ronnies all left me with a huge grin on my face and a crashing chorus rattling around my noggin’.

Hey You Guys! both live and on disc are brash, bold and bombastic, you can expect a good time whether it in the comfort of your own living room or the snot and sawdust of your local fleapit but however you decide to devour the band’s wares I suggest you stop what you’re doing and seek them out now!!

Rhythm & Booze Rating 10

www.hygofficial.co.

 

photos by Graham Munn

23 November, 2010

Dyonisis-Intoxicated

Filed under: metal,rock — Tags: darkwave, dyonisis, gothic, trip hop — willmunn @ 18:21

Here at Rhythm & Booze we regularly take a trip to the darkside in order to bring you the best music for those candlelit pagan parties you all host from time to time and in Dyonisis we may have found the perfect soundtrack to those nights lurking in the shadows.

Dyonisis are a four-piece hailing from Sheffield who have been together in one form or another since 2000 quietly writing, recording and releasing their dark delights. Intoxicated is their second full length album and I have to say it’s something of a majestic gothic masterpiece. The quartet aren’t your typical goth band they take influences from ethereal folk, trip-hop, metal, progressive guitar passages and dark wave to create a stunning sound that’s both beautiful and sinister. 
We Are..opens the proceedings with a sub two minute introduction to the bands icy yet melodic soundscapes, stunning use of vocal harmonies and lush instrumentation casts a spell over the listener right from the off. From here the band offer up deep downbeat basslines, waves of metallic guitar and those stunning vocals throughout the album’s eleven track duration.
To pick highlights would be a little unfair as every track on here is as the title would suggest intoxicating, Of The Fear offers up the burst of metal, whilst still managing to sound like a full bodied work of beauty, the vocal interplay and near choral vocal outro on Arachne’s Song manages to completely bewitch the listener. Elsewhere Eve’s Song adds layer after layer of guitar to an already contagious mix of dense instrumentation and chanted vocal forming perhaps the heaviest track on here without ever losing sight of the songs melody and rich harmonies. Oxygen is another track worthy of note, it’s a melodic number complete with piano and Pink Floyd like guitars showcasing another side to the compelling sound of Dyonisis.
So to sum Intoxicated up if you like a bit of goth, darkwave or even a bands like Curve and The Cocteau Twins you should find this right up your poorly lit alley, it’s a beautiful release that seduces the listener and carries them on a mesmeric journey through the shadows.
Rhythm & Booze Rating 9
www.dyonisis.info

7 April, 2010

The Empire Shall Fall-Awaken

Filed under: metal — Tags: hardcore, Killswitch Engage, the empire shall fall — willmunn @ 12:01

Regular readers of this site will know that when it comes to metal or the louder sides of things I like a band that have the ability to throw a curve ball or two, I don’t want a generic album full of the predictable riffs and random grunting, I want a little originality and a barrel load of zest. In recent times no metal band have really grabbed my attention that was until I hit play on the debut by The Empire Shall Fall.

Awaken is the new five-piece project of former Killswitch Engage frontman Jesse Leach and this is no mere debut, this serves a warning to the all the limp wristed shit out there that a new band have risen to take the metal scene by storm.
The opening five-minute title track serves as a devastating statement of intent welding together bludgeoning guitars, bombastic beats and a stunning combination of growled and powerful yet controlled melodic vocals that are both contagious and crushing. If that wasn’t enough there’s a wonderful almost jazzy middle breakdown featuring real rock crooning at it’s best, that has to be heard to believed.
From that opening point we’re on a journey of brutality, down tuned riffs, widdly guitar solos, off kilter blast beats, progressive frenzied jazz interludes, spoken word, death metal growls and attitude fuelled punk hollers. The likes of Loads Of War and the hardcore frenzy of These Colors Bleed showcase the band at their most brutal, whilst in direct contrast Choirs Of Angels shows off the bands more experimental side adding slices of progressive jazz to the mix creating a unique yet infectious sound that demands repeat spins.
Our Own offers up something different again, amongst the anger and attitude the band throw in catchy melodies, spoken word vocals and killer hooks that’ll have fans of the harder stuff roaring in approval. Whilst the albums closing number, The Kingdom, sees the band unite hardcore, metal and progressive rock to create a harder, edgier version of long term Rhythm & Booze faves Earthtone 9 (high praise indeed as far as I’m concerned).
Politics and social commentary has never been given such a brutal and innovative soundtrack before, The Empire Shall Fall provide the perfect backing to the crazy and unjust world we live in. Metal hasn’t sounded this essential in what seems like bloody well ages, this has everything that those of you with a harder musical persuasion could possibly need. 
Rhythm & Booze Rating 10
www.myspace.com/theempireshallfall 

20 January, 2010

Interview With…….Lee From Lost Prophets

Filed under: Blog,Interviews,metal — Tags: Lost Prophets — willmunn @ 18:44


LOSTPROPHETS INTERVIEW

1.Hey guy’s how’s it going? how was 2009 for you? any particular highlights or lows for the band?

It was busy working up to the release of our new album, ‘The Betrayed’, but very positive. 

2. I’ve found early reviews interesting, the likes of Q have stated that the guitars go down and the loathing increases, do you think this is a fair comment? and how do you feel the album has been received to date? 

One of the reasons I guess is from Ian’s (Watkins – vocalist) lyrics he sings a lot of his own personal stuff and has been more open and honest on this record. I guess the other major thing is all the crap that we had throughout the process, when we started out it wasn’t so dark but after all the crap we went through it just took that tone. Its been received well so far.  

3. Every album you’ve released to date has seen sound changes, is this a deliberate thing or is this simply a development of sound as time goes by? 

I think the new album is the best thing we’ve ever done, I truly believe that. It was wholly inspired by our personal experiences; everything we have learnt in the last 10 years is in the new album. This is the first time that we totally self-worked the album, used my own guitars, my own pedals – everything. This album is us, through and through. 

4. Do you think the Shinobi early days of Lostprophets would recognise what the band have become? 

We’ve grown, but I think the core of the band is still there. We have our own sound. 

5. Even back in the early days (I can remember seing you supporting KIll II This years ago) you’ve always delivered a frantic and energetic live show, do you write material with your live set in mind? or do you record a song and then rework it into a live environment? 

Both really. We can see from experience what will and won’t work and some bands just explode live.

6. Where do you find your influences for your songs? and do you think it’s getting easier or harder with time to write fresh material? 

We always listened to other bands we liked as a kids but trying to recreate it now is strange. I see a lot of bands trying to recreate thrash and I just think no, it was amazing back then and you’re just playing exactly the same as they did, you’re not evolving it. We always tried to do out own thing. 

7. Other than the new album, what else does 2010 hold in store for Lost Prophets? is it a case of tour, tour, tour? and are you planning to hit the festival scene this year? 

We want as many people as possible to hear the album really and tour it across the world! Hoping to hit some festivals – fingers crossed!  
 

6 October, 2009

Illuminatus-The Rising Tide EP

Filed under: metal — Tags: illuminatus — willmunn @ 15:39

A fair whilst back on a different version of the Rhythm & Booze website I reviewed a demo or promotional copy of a past release by multi-national, Nottingham based four-piece Illumninatus, even now I can remember being more than little impressed by the post-metal outfit.

Since those early days the band have moved on to bigger and better things, supporting the likes of My Ruin, Ministry,Breed 77 and Susperia among others as well performing as part of the annual Bloodstck festival and Bulldog Bash. The band also released a stunning debut album, The Wrath Of The Lambs to critical acclaim, that picked up plaudits from the likes of Rocksound, Kerrang and Metal Hammer.

The Rising Tide EP is a four-track affair released to coincide with the bands UK trek with Yorkshire metal legends Rise To Addiction and sees the band release perhaps their most impressive recordings to date.

The EP begins with Cave In a track that starts with catchy melodies and a dark vocal croon before developing into a tremendous wall of molten metal featuring almost death metal vocal howls and punishing instrumentation that almost managed to floor me on first play. The band continue to blend dark melodies and atmospheric walls of sound on the stunning and powerful mantra like title-track, a song that nods towards the glory years of Paradise Lost or Anathema crossed with the likes of the majestic post rock of Godspeed You Black Emperor!

The epic and dense six-minutes plus of Red follows, once again welding together those ever present melodies with slow moody and crunchy guitars, battered beats and raging vocal howls. The collection is completed with perhaps the most startling and impressive track in the form of the stunning mesmeric, acoustic version of Wargasm, featuring some wonderful guitar picking and a glorious vocal croon that has to be heard to believed compared to the heavier material on here.

This is a must hear for anyone who loves metal but also require an infectious melody or two as well, Illuminatus have once again released an essential, brooding and spellbinding record that’s well worth tracking down.

Rhythm & Booze Rating 9

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