Rhythm & Booze An online music webzine created by music lovers for music lovers.

19 February, 2015

Son Of A Lumberjack-All That I Have Seen

Filed under: alternative,grunge,Recorded Reviews,rock — Tags: all that I have seen, new single, son of a lumberjack — willmunn @ 10:35

Worcestershire based, three-piece Son Of A Lumberjack are something of a new name to me, but having listened and devoured their debut single, All That I Have Seen, (produced by Rhys Downing) I sure hope to hear a great deal more in the near future.

The track opens with a flurry of drums and cymbals, before a melodic, yet punchy riff cuts through the furious bombardment, whilst a bass growls somewhere in the background. The vocals drop and oddly bring to mind those of Eddie Vedder only with perhaps a little more anguish thrown in for good measure, whilst the band threaten with an orgy of serrated riffs and bombastic beats, as the track finishes in much the same way it began, with a further frantic drum assault.

As introductions serve, All That I Have Seen, is a short, memorable burst of energetic taunt rock that leaves you exhilarated and baying for more.

Rhythm & Booze Rating 8

www.facebook.com/sonofalumberjack

24 October, 2014

Shadow Lad-Still Point Of Turning World

Filed under: acoustic,folk,grunge,indie,Recorded Reviews — Tags: debut album, eve privitera, shadow lad, still point of the turning world — willmunn @ 08:33

Shadow Lad (also known as fifteen year old Eve Privitera) is a singer-songwriter hailing from Worcester who is taking her first steps into the world of music. I first encountered the project after reading a facebook message asking for advice on how to get started, having already written an eleven track debut album and so I offered to cast my ears over the album.

The album in question, Still Point Of Turning World is an intriguing debut that showcases a songwriter who pens lyrics way beyond her years, the self-reflective lyrics, instantly capture the imagination and will resonate with anyone looking for their place in life, the lyrics are often reflective and introspective yet at times almost bordering on quirky whilst musically, Eve has a stripped down almost primal sound, an acoustic guitar strummed, plucked and beaten into submission complimenting her already world weary voice.

The album opens with Idiot, a wonderful introduction to Eve’s sound with a short yet infectious number complete with a simplistic yet affecting riff and a drawled vocal, whilst showcasing those introspective lyrics that Eve seems to pull out of the hat at ease.

The album continues in much the same vein, acoustic guitar, catchy melodies and biting lyrics, musically Eve, hints at a folk influence, whilst the barbed wire, close to the bone lyrics hint at the 90’s grunge scene or perhaps even Ani Difranco, Eve pulls no punches on the likes of How Can I Be Worse she wishes someone dead and talks about the cancer in their brain, whilst Flesh is an anguished tale of loss and despair, Lying Is An Art features the somewhat shocking couplet of “the angels say if I cut out my tongue, I could still get into heaven” over a machine gun strummed guitar, whilst Loss, Grace And Acceptance is a suitably mournful yet lament as one might imagine.

The eleven tracks on here are raw and demo like in quality and yet the unpolished production suits Eve’s delivery, each of the songs on here are short and concise with not time for embellished thrills and sound all the better for it. As first forays go Still Point Of Turning World is an impressive debut full of promise, it’ll be interesting to hear what she comes up with next, after some heavy gigging, Shadow Lad (or as I prefer Eve) is definitely one to watch for the future.

Rhythm & Booze Rating 7

www.facebook.com/theshadowlad

 

Album Artwork by Oscar Boyle

7 May, 2014

The Pack A.D.-Do Not Engage

Filed under: alternative,garage,grunge,Recorded Reviews,rock — Tags: do no engage, new album, Pack A.D. — willmunn @ 13:18

Since the formation of The Pack A.D. by Canadian duo Becky Black and Maya Miller back in 2006 the band have performed across the world with everyone from The Artic Monkeys to Cage The Elephant picking up numerous plaudits along the way. In the past the band have been compared to everyone from The White Stripes and the Black Keys to Babes In Toyland and The Stooges (I’d add The Pixies and Royal Trux to that mix), what most reviewers can agree on is their raw feral sound is something to behold.

On the band’s latest album Do Not Engage the duo once again bombard ears with a glorious mix of hard hitting beats, fuzzy garage rock riffs and more hooks than most bands manage in a lifetime.

The album opens with Airborne, instantly setting the mood with a bombastic outburst of drums before Becky Black sets her guitar to stun whilst unleashing her melodic yet passionate yelp creating a stunning sound that nods and winks at grunge, punk and raw animalistic rock, whilst the melodic middle section showcases a previously submerged pop sensibility.

Big Shot continues in much the same rich vein, swirling loud crunchy guitars combine with hard hitting drums to create a contagious rowdy take on clatter pop whilst the band weave a memorable vocal hook into the proceedings, urging repeat spins.

Creepin’ Jenny is based around a nagging yet infectious down-tuned riff, rudimentary stomping beat and an attitude fuelled, Jennifer Herrara (Royal Trux) like vocal, The Water features a repetitive yet instantly memorable riff whilst the verses hint at a bewitching dark psychedelic (Banshees) influence before a punchy chorus kicks in. Stalking Is Normal is an updated take on the blues with a ragged guitar throb, impressive stick work and a wordless backing vocal hook that all combine to create a glorious yet suitably spiky groove. Whilst Loser once again showcases a grungy influence with a quiet-loud-quiet dynamic where Pack A.D. are both at their melodic and raucous best in a sub four minute slab.

The album closes on another highlight and the band’s most melodic, understated moment, Needles, which strips the sound back to a lone delicate guitar and vocals, proving that the band are more than capable of restraint when there’s a call for it, finishing the disc in a captivating, yet completely unexpected manner.

Do Not Engage is primal alternative rock at it’s very best, Pack A.D. weld hooks, spiky riffs, over driven guitars and clattering beats to create a thrilling, (pardon the pun) engaging album dragged straight out the garage for your pleasure.

Rhythm & Booze Rating 9

www.thepackad.com

 

Everafter-Everything Is One

Filed under: grunge,pop,punk,Recorded Reviews — Tags: everafter, everything is one, new album — willmunn @ 11:38

Everafter are a three-piece pop-punk band hailing from East London, who were first discovered by legendary producer Chris Tsangrides (Black Sabbath, Thin Lizzy, Gray Moore) who heard an early demo and spotted the bands potential.

The band honed their sound performing across London taking in venues such as The Water Rats, and the Half Moon in Putney as well as trying out their wares over in Germany for a few dates before returning home to work on their debut album, Everything Is One.

Right from the off you can spot the band’s Green Day influence as Let Me Be Yours kicks off the proceedings with a high octane blast of pop-punk with all the bluster and thrills of Dookie era Green Day and just like Billy-Joe’s mob the band graft a big hook-laden chorus, alongside the pogo inducing riffs and million miles an hour rhythm section. As an opening gambit on a pop punk album you can’t ask for much more, Let Me Be Yours is fun, frantic and contagious.

Recent single, Horizons Wide follows and in truth is something of a let down, it opens with promising melodic guitar riff before the band quickly down tune to a grungy, fuzz ridden stomp which would be fine if the managed to find the hook, but in truth the track is something of a muddy mess and you’re left with the feeling the band should crank back up to the frantic opening salvo.

And so the album proceeds in much the same manner, there are moments of genuine promise such as the would be sing-along, This Faith or the more metallic Who You Are but the band seem intent on burying what hooks they muster in a wall of sludge. And when the band do strip back on the likes of In Time, the track meanders as opposed to showcasing the band’s songwriting and hook writing talents.

On a plus side Say You’ll Be Mine strips away the Americanisms and is a pretty damn catchy romp, complete with thrashy guitars, nice vocal harmonies and a contagious, immediate chorus that does make you want to hum along, unlike a number of the other songs on here. Perhaps the likes of Say You’ll Be Mine point to the direction Everafter should be heading.

At the moment Everafter seem to have the promise but are yet to perfect the delivery, there are a few decent moments on here, the opening number has loads of energy, whilst the aforementioned Say You’ll Be Mine and Loving You both offer the necessary vocal hooks to make an impact. But the habit to bury everything in sludge has to go and the band have concentrate on what makes the genre fun to listen to. Pop punk is all about hooks, holler along choruses and energy, once Everafter master the fundamentals they might come back with something special, for now file under potential.

Rhythm & Booze Rating 6

www.everafteruk.com

10 June, 2012

Dana Jade-Dana Jade

Filed under: grunge,punk,Recorded Reviews,rock — Tags: dana jade, debut album — willmunn @ 13:37

 

Here at Rhythm & Booze we love nothing more than a ballsy woman kicking out the jams with gritted teeth and a punk-ridden attitude and that’s why we’re rather a bit partial to the snarling, primal force of nature that is Dana Jade.

Dana first came to the nations attention as part of the Gaggle collective, a twenty something piece alternative all girl choir pieced together by Deborah Coughlin, Dana performed with the group for three years treading the boards at The Reading Festival as well as appearing on Later With Jools Holland, all the whilst she continued to hone her original, solo material, notching up support slots with the likes of John Parish (PJ Harvey) along the way.

Jade’s debut album is a stunning mix of styles and influences from grunge and punk to blues via Trinidadian Rapso (Dana was born and raised in the tropical Trinidad, whgilst spending summers in New York with her dad), the sound she creates is often raw and feral and yet she always manages to weave intoxicating hooks and infectious melodies into her addictive musical stew, whilst the combination of influences help give Dana an edgy, original sound that’s hard to ignore.

From the opening salvo, Eyes Like Cinder, Dana grabs at the lapels with a stunning combination of chiming guitars, driving beats and a wonderful sultry vocal that fizzes and crackles with an almost sexual tension, it’s seductive yet has a instant fiery passion that’ll equally melt hearts and bust balls. Dana follows up with the equally enticing Shudder, opening with just cymbals and Dana’s purring vocals before developing into another throbbing tale of lust, complete with a near howled vocal refrain and filthy distorted riff that’ll drop fans of the riot grrl movement drop to their knees in homage.

Highlights come thick and fast from the delicious slow building, sticks and frets, grunge menace of Murky Tears to the glorious combination of rip-roaring, swaggering Caribbean rock of Little Sister complete with it’s hard hitting punk riffs and dub interlude, then there’s the full on ROCK, filthy bass frenzy of Gritting My Teeth and frantic guitar punk fury of Lust to consider.

Dana Jade’s debut album is full of raw, primal energy, vice like hooks and more attitude than most band’s muster in a lifetime, a thrilling, seductive rock masterpiece from start to finish.

Rhythm & Booze Rating 10

http://www.facebook.com/danajademusic

http://danajade.blogspot.com/


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