Rhythm & Booze An online music webzine created by music lovers for music lovers.

30 May, 2012

Severin-Macabea

Filed under: electronic,noise,pop,Recorded Reviews,shoegaze — Tags: macabea, Severin — willmunn @ 05:25

London based electronic noise pop duo Severin follow up the recently released Everything Breaks EP  (reviewed on this very site) with a brand new single in the shape of Macabea as a download release.

Now if you’re yet to have discovered the sounds of Danny Sanchez (guitars/noise) and Elizabeth Anne Martin (beats/guitars/electronics/vocals), Macabea serves as a stunning introduction to what the band are all about, fuzzy distorted riffs collide magnificently with bubbling electronica to create a dense wall of sound, whilst Elizabeth delivers a beautiful, hook-laden, poppy vocal that manages to pierce through the heady mix.

In truth the term noise-pop does the dynamics of Macabea and Severin themselves something of a disservice, I sense that there’s something of a indie shoegaze influence buried within the grooves of the duo’s set up, whilst the band’s pop sensibilities and shimmering vocals leave you baying for more.

Rhythm & Booze Rating 9

www.facebook.com/severin666

21 May, 2012

Codex Leicester-A Mad Mans Lullaby EP

Filed under: indie,noise,pop,post hardcore,Recorded Reviews,rock — Tags: a mad mans lullaby, codex leicester — willmunn @ 09:00

Codex Leicester are a four piece band that first formed back in late 2010, their rather unusual monicker comes from a large collection of scientific writings by Leonardo Da Vinci, of his 30 journals Codex Leicester is the most renowned of them all.

The band originally hail from the four corners of Britain but have now gathered appropriately in the East Midlands city of Leicester where they’ve been hard at work crafting their own unique blend of noise pop infused indie rock.

To date the band have already picked up support from the likes of left-field radio specialists John Kennedy (XFM), John Hillcock (XFM & NME) along with BBC Introducing. The band were also featured on the acclaimed indie Big Scary Monsters 2011 Collection along with numerous other up and comers.

A Mad Mans Lullaby EP is a stunning six track introduction to the band’s unique sound, layers of molten thrashy guitars blend with driving bass and pummeling drums whilst the dual vocals of Kris Tearse and Scott West range from a near post hardcore yelp to a more melodic indie holler. The band also manage to bury infectious hooks deep into their wall of sound, urging repeat spins of their rousing, noisy clatter pop.

The opening number Strong Like Bull sets the stall out with a torrent of over-driven guitars, bellowing vocals and bombastic drums and yet somewhere, somehow their are infectious melodies woven into the dense riff roaring grooves. As the EP progresses the band allow those aforementioned melodies and hooks more space to breathe, with the likes of Concrete Stetson containing chant along vocals among the post hardcore battlefield. Whilst the EP’s closing number SS Supersleeper has hard hitting yet shimmering riffs, half whispered vocals and a nod to a more intense shoegazing scene, oddly bringing to mind the likes of My Bloody Valentine.

If you’re looking for big pop hooks and sing-a-long choruses I suggest you look somewhere else, however if you want something a little more challenging and partial for the heavier end of the musical spectrum, Codex Leicester may be right up your street.

This is big, loud and uncompromising bastard pop at it’s best, if you like it noisy you”ve come to the right place.

Rhythm & Booze Rating 8

www.codexleicester.co.uk

 

 

6 April, 2012

Severin-Everything Breaks EP

Filed under: electronic,indie,noise,pop,Recorded Reviews — Tags: everything breaks, Severin — willmunn @ 09:13

Following on from debut single, High Shot (reviewed on this very site), London based electronic noise pop duo Severin release their debut four track EP Everything Breaks, a glorious four track affair that features glitchy beats, throbbing bass, fuzzy electric guitars and the ice cool vocals of Elizabeth Anne Martin.

Iamgine if you will the icy cool of Curve or Mazzy Star mashed up with the beats of Four Tet with recent media darlings Sleigh Bells looking on, ethereal vocals, pop hooks, stabbing synths and waves of guitar feedback collide, clash and compliment as Severin create an intoxicating futuristic soundtrack on the likes of the aforementioned High Shot and spellbinding and majestic Light//Water.

Each of the four tracks featured captivate the listener, with layers of electronica and guitar competing for attention whilst Elizabeth coos and murmurs gently against an impressive glacial wall of sound. With tracks such as 0806 you won’t be seeing Severin gracing the charts anytime soon, however I could imagine them providing intriguing soundtrack work for both film and documentary in the future.

Severin create wonderful, inventive noisy soundscapes that’ll have your head in a spin, whilst your heart is simultainously being seduced by those gentle vocal tones. Serevin are a stunning musical contradiction that have to be heard to be believed.

Rhythm & Booze Rating 9

www.severin666.com

26 February, 2012

Severin-High Shot

Filed under: electronic,noise,pop,Recorded Reviews — Tags: high shot, new single, Severin — willmunn @ 14:44

Severin are a London based male/female duo who blend noise, pop and synth fuelled electronica to create a glorious hook-laden cacophony of erm…noise.

The two-piece are releasing their debut EP on March 19th on both download and 12″ vinyl, before that Danny Sanchez and Elizabeth Anne Martin warm up with the release of their brand new single High Shot. On the evidence of the short player, the EP could be something of an underground classic for fans of stabbing, brittle electro-pop, the track opens with a short intro before the first high pitched stabbing synth hits you like a ton of bricks, the song then begins to build, Elizabeth adds poppy vocals over a devastating mix of attitude fuelled beats, those aforementioned piercing sythns and Danny’s layered riffs. The track throbs and pulsates with a frantic combination of energy and balls bringing to mind the likes of the equally inventive Sleigh Bells among others.

High Shot is a stunning introduction to Severin’s high octane cluster-fuck mix of noisy electro-pop, if you like you’re music to pound throb and bite you’ll love High Shot.

Rhythm & Booze Rating 8

http://www.facebook.com/severin666

1 February, 2012

run,WALK!/Sirs Split Single

Filed under: hardcore,noise,post hardcore,Recorded Reviews — willmunn @ 17:04

Can you name a single two-piece band that create uncompromising hardcore lead by just a driving bass guitar and a frantic drum attack? I can run, WALK! do just that they create a devastating blend of frantic shouty hardcore that wipes the floor with most other bands of a similar ilk.

Since the band’s formation they’ve been destroying audiences up and down the country, touring in recent with the likes of Lavotchkin and Crocus as well tearing the US a new orifice with a frantic and fabulously noisy performance at last years SXSW festival.

Last year the band also found time to release a glorious split single with fellow noisemongers Sirs, the split 7 inch which is really worth tracking down for the cacophony of noise that run, WALK create on Rainhouse and Straight Lines, two gloriously down tuned slabs of distortion fuelled angst ridden noise that fans of nasty hardcore will lap up hungrily.

Sirs performed alongside run, WALK! at SXSW and share their love of loud noisy hardcore, but Sirs add their own twist to proceedings on their duo of tracks. Being Straight offers up a math/prog rock influence with dense passages and gruff vocals, whilst Buzzard Kill offers a more melodic yet twisted take on the hardcore genre.

Both run, WALK! and Sirs are loud driving hardcore acts, both have a unique yet equally compelling sound, that are essential must hear for fans of the harder end of the musical spectrum.

Rhythm & Booze Rating 8

www.facebook.com/runwalk

www.topshelfrecords.com

Powered by WordPress