Occasionally you come across a band that defy classification, a band that straddle and merge genres to create something new, innovative and beyond description, a band that have to be literally seen to be believed, the mesmeric Arc Iris are one such band, an explosion of glitter, glam, jazz, folk, country, ethereal indie and lots more beside, fronted by the enigmatic multi-instrumentalist Josie Adams (once of personal favourites The Low Anthem), a performer that bewitches and enthralls in equal measure.
Thanks to Tyler Massey (more of whom later), Arc Iris hit Malvern and one of the most spectacular venues in the county, St Peters Church, following on from their triumphant performance at this years Moseley Folk festival, Arc Iris stunned a small yet rapt audience with a gloriously engaging set, that ranged from hushed ethereal folk to an almost jazz swing.
As soon as Josie and her band took to the stage you could tell this wasn’t going to be usual ensemble, the band were adorned in glitter and sparkles, with Josie looking captivating before uttering a word in a stunning all in one catsuit, whilst pianist Zach Tenorio-Miller complimented the look with equally flamboyant attire.
The band soon proved to be a whole lot more than mere clothes horses, with the opening number instantly drawing the listeners attention in, a stunning combination of piano, cello, drums and Josie’s evocative voice seduced the audience instantly, imagine a combination of the beauty of the Cocteau Twins colliding with the other worldly experience of Bjork or Joni Mitchell fronting The Dirty Projectors (if that’s possible) and you’re sort of in the right kind of direction. After the opening number the band proceed to produce a collage of folk, classical and jazz mixed with cabaret and theatrics topped with rich harmonies and infectious melodies.
Arc Iris drew heavily from their recent self titled album with the likes of Honour The Rainbows and the smoky jazz of Powder Train proving to be instant highlights along with Lost On Me, but in truth picking individual highlights seems to be something of a disservice as the entire intoxicated from start to finish.
Supporting Arc Iris was the always impressive duo of Tyler Massey and Vo Fletcher, who set the scene with a glorious set of folky laments and intricate guitar work, playing off one another superbly, with the likes of Pancho & Lefty (originally by Townes Van Zandt), Wheels On Fire (Dylan) and Way Over Yonder In The Minor Key (unrecorded Woody Guthrie song, released by Wilco & Billy Bragg on the Mermaid Sessions) standing out during their hugely enjoyable set.
Tyler and friends have put a few events on at St Peters Church and each one has been more than a little special, if you missed Arc Iris, more fool you, but I do highly recommend you keeping an eye out for the next one, you never know who might be performing next time round.