Rhythm & Booze An online music webzine created by music lovers for music lovers.

3 October, 2011

Promethium-Welcome To The Institution

Filed under: metal,Recorded Reviews — willmunn @ 16:37

Once upon a time, many moons ago in yesteryear I would have called myself a bit of a metalhead, that’s not to say I didn’t listen to anything other than metal but I was a sucker for blast beats, duel guitars and anything that sounded a little aggressive. Since those early days of musical discovery my tastes have further widened and in truth I don’t listen to the leather clad warriors anywhere near like I used to, but like any first love you dare mention, I still can’t resist a pummuelled beat or an abuse six string.

The problem with metal like every genre going is that there’s so much mediocre clap-trap out there that it’s easy to lose interest but thankfully their are still bands out there willing to carry the fight against the merely average, bands like Promethium.

Lancaster based five-piece Promethium formed from the ashes of a number of different local bands including Skin Crawl among others, the band united over a love of real metal, taking in influences from the likes of Savatage and Annihilator among others.

Welcome To The Institution is the quintets debut album released on Copro off-shoot Casket Records and I have to say it’s a pretty damn tasty release the band weld melodic passages to an obvious love for thrash and 80’s NWOBHM to create an instant and accessible sound. The ten tracks on here show the band to be more than compentent song writers, managing to weld hooks and growl along vocals into their bombastic sound whilst the galloping guitars and beatastic drums provide the punch to the meaty sound on offer.

The album opens with a short melodic instrumental setting the mood nicely before break into Visions, showcasing those hooks and melodic growls right from the off. From here the band move through a succession of molten riffs and pounded drums adding shredding solos and softer passages along the way.

Tribute To The Fallen is n obvious highlight with it’s dark almost death metal grunting and hard hitting riffs, whilst Cycle Of Vengeance deserves a mention for showcasing both the heaviest and most melodic sides to the band in the space of just one song, with lead singer Gary McGahon shredding his vocal chords one minute and almost crooning the next.

Promethium may not have the most original sound in the metal world, there are nods to pretty much every big name metal act you can dare to mention on here but what helps set Promethium apart from the aforemented mediocre acts that clutter every scene is that the band don’t over complicate and they know how to write a killer hook and they know how to deliver with killer instinct.

Welcome To The Institution is an impressive debut from a damn fine, no thrills metal band, if you like your tunes hard and heavy but you want to be able to decipher the lyrics and holler along Promethium are the band for you.

Rhythm & Booze Rating 8

www.myspace.com/promethium

29 September, 2011

Lefaro-Easy Meat

Filed under: hardcore,metal,punk,Recorded Reviews — willmunn @ 14:23

Lefaro are a four-piece band hailing from Belfast, they take their name from influental jazz bassist Scott Laforo but instead of creating delicate jazz they make hard, fist pounding rhythmic post-hardcore that brings to mind Helmet, Shellac, Big Black or a harsher, more feral take on early Therapy?

The band first formed back in 2004 taking a love of punk, shooting it up with a shot of adrenaline, adding a layer of sludgy down tuned guitar and cranking to eleven. Last year the band released their self named debut album following on from two previous EP’s, attracting the attention of Rocksound, Kerrang and Big Cheese among others, all lavishing praise on the band.

Easy Meat is the band’s follow up album and I have to say t’s a stunning affair, abbrassive riffs, frantic bombastic beats, driving bass and Johnny Black’s roar combine to create a raw, almost primal wall of sound and yet oddly the band still manage to weave hooks into their dense metallic racket, blackened hooks that make you want to punch the air, infectious hooks that make you want to hurl yourself across

the room, irristible hardcore hooks that make you want to open your windonws and shout “fuck yeah” to the outside world.

The album opens with the rather aptly named Full Tilt, a glorious two and minute thrash that sets the mood wonderfully, it’s hard, it’s fast and it’s heavier than a really fucking heavy thing. The band hit the ground running with their brutal aural assault, cymbals are smashing to an inch of their life, guitar riffs are thrown around like there’s no tomorrow and Johnny shreds his vocal cords in the space of the opening track. The album continues in much the same vein, Sucking Diesal, Broke and Have A Word With Yourself all smash you round the back of the head whilst screaming in your ear and though they may be seperated by a humourous skit or two the band never lose momentum, leaving the listener drained yet satisfied after the first half dozen tracks.

Highlights come thick and fast, the title track adds a bit of groove to the proceedings,  Settle Petal seems to drop a some of the agression to reveal a grunge or perhaps even a Wildhearts influence, whilst the brilliantgly contagious Off The Chart brigs to mind those masters of chaos The Jesus Lizard and Slide On is a full tilt punk anthem complete with a gloriously snotty vocal and shout along chorus.

On the whole Easy Meat is a delicious slab of buzzsaw guitars, snarling vocals and biting, bulldozing rhythms, the kind of album that you just have to crank and rock the fuck out to, If you want hard and heavy grab a piece of Lefaro’s meat now!

Rhythm & Booze Rating 9

www.facebook.com/LaFaroBand

6 September, 2011

Huron-Mary Celeste

Filed under: Blog,hardcore,metal,Recorded Reviews — willmunn @ 10:23

Sometimes the only way to get motivated in the morning is to find the nearest, heaviest album to hand, whack it up to top volume and bang your head in submission to shake out all those cobwebs. Mary Celeste, the second album by Brit Metallers Huron is pretty much a perfect album for such early (ok mid) morning activities.

Huron mix together brutal thrash and hardcore elements to create a bombastic gutsy racket that in the past has found favour with the likes of Kerrang, Rock Sound and current 6music/all time metal god Bruce Dickenson to name just a few of the heavy weight names that Huron have seduced since their conception. The have also performed with mega metal names such as Orange Goblin, Viking Skull and Anvil along with skate thrash hardcore legeneds Sucidal Tendancies among others.

Throwing on Mary Celeste it’s instantly understandable why Huron have managed to gain such a reputation, right from the opening Branded, the band lay down a massive heavy groove, whilst frontman Sean Palmer unleashes a stunning guttural growl that knocks you for six. As introductions go, Branded is a perfect mood setter, it’s heavy, it blends those aforementioned metal and hardcore influences whilst maintaining a gigantic hook throughout.

The band continue in the same rich vein throwing together down tuned riffs, rumbling bass, heavy hitting beats and tortured vocals as the band set about laying waste to entire metal scene with likes of the stunning gowl along Blood In Blood Out, the throat shredding/squealing guitar frenzy of the death metal influenced All My Gods and the dark moody, gloomy intensity of Serpentswine (checkout the gothic metal introduction).

There’s nothing on Mary Celeste for the faint hearted, Huron are on the whole an orgy of broken sticks, shredded vocal chords and mangled strings, however they do provide a little rest bite from the pure intensity with a deft slab of acoustic guitar and crooned/whispered vocals on the gorgeous Eternal Sea Part One, proving that Huron are more than just another metal/hardcore band.

If you like hard hitting balls to the wall metal or guttural hardcore you’ll find plently of appeal on the hallowed grooves of Mary Celesete. Huron create a true, no nonsense racket and I for one salute them for it, brilliant stuff.

Rhythm & Booze Rating 8

www.huronuk.com

2 August, 2011

Mojo Fury-We Should Just Run Away

Filed under: industrial,metal,Recorded Reviews,rock — willmunn @ 11:47

Now I’ve had this single for a little whilst now (it came out in July), but unfortuntely my hard copy arrived scratched so I’ve only just got round to tracking the single down (via Youtube) but I have to say I’m seriously glad I eventually got my arse into gear.

Mojo Fury are a Northern Irish based alternative rock quartet who have started to make great waves with recent support slots with the liks of Oceansize among others, as wel as playing every festival going. The band’s recently released debut album,Visiting Hours Of A Travelling Circus has been picking up plaudits from everyone in the mainstream music press from Rock Sound to Kerrang via Artrocker (album of the month no less) and The NME, whilst the likes of Radio One, XFM and Total Rock have been busy spinning choice cuts from the album.

We Should Just Run Away is the third single to be lifted from the album and it’s something of a monster, in the past the band have been compared to the likes of Biffy Clyro and Pulled Apart By Horses but this single is something different, it’s a harder hitting beast with an almost industrial like strut. The single opens with stabbing synths and definite electro tinge before the hard hitting Nine Inch Nails like drums crash into focus and the track develops into a massive alternative rock anthem complete with a hard stomping shout-a-long chorus, whilst the rest of the band crash about and lay down a thick dense groove that reminds me of the critically underrated Stabbing Westward.

Mojo Fury have delivered a stunning single that fans of big, loud, dark alternative rock and hook-laden industrial will fall head over heals for, stunning bombastic stuff by the most exciting new name on the scene.

Rhythm & Booze Rating 9

www.myspace.com/mojofury.com

31 May, 2011

Various Artists-Classic Rock Presents NWOBHM

Filed under: metal,rock — Tags: compilation — willmunn @ 11:04

It would seem some what apt to be sitting down and putting metaphorical pen to paper to wax lyrical over a compilation of the best on New Wave Of British Heavy Metal.

You see my first real true musical love was the somewhat dulcet tones of metal, I spent much of my youth scrambling around record shops and car boot sales looking for anything that looked remotely rock or metal. At one point in my formative years I literally craved the sound of an electric guitar being cranked up to ten, a crack of drums and a vocal screamer shredding his tonsils for my benefit. I used to but Kerrang every week, Raw every month and whatever other short lived metal publication hit our local newstand. My bedroom wall (well my side of the shared room) used to be plastered with photos of scary looking men with their guitars of choice or leather clad girl singers.

In later years my tastes have diversified (for the better) but even now I still hold a torch for those glory days, those days when nothing mattered more than donning my leather jacket and heading out in a search of a loud guitar. 

Just the other day I picked up a book by a guy called Seb Hunter entitled Hell Bent For Leather Confessions Of A Heavy Metal Addict and despite I never formed a band(well I almost did, we had lyrics just no musical ability) or ran off to London to become a star I found the book somewhat poignant, you see if you liked metal you really liked metal there is no half way house you just had to know your stuff and like Seb I once knew my stuff.

Anyway enough nostalgia lets get onto the this NWOBHM (if you know your stuff you’ll know this stands for New Wave of British Heavy Metal) compilation or as I like to call it the nearly-guys and gals of British Metal. Unless like me you were a true metalhead a great number of the bands on here may not ring a bell, there’s no Maiden or Moterhead, this is more of a collection of the bands bubbling under the big boys, though the bands on here are just as valid as any of those monsters of metal.

The CD begins with Am I Evil (a track that those Metallica fans out there will know only too well) by Midlands heroes Diamond Head, it’s a true metal classic, from the evil sounding opening to the widdling guitar solos, galloping riffs, pummeling beats and killer chorus (sure Metallica did it bigger, better and louder but this the original), it’s the perfect introduction to any compendium of NWOBHM.

From here we’re taken on a rollercoaster of riffs, squealed vocals, hard hitting drums and axe dexterity, all the second wavers are here from the omnipresent Saxon to blackened rock of Venom via the ludicrously named Tygers Of Pan Tang and Bitches Sin.

Notable highlights include the Bruce Dickenson (pre Maiden) fronted Samson with the spirited Riding With The Angels, the bolshy chugging rock of Girl, the “we can do whatever the guys can do only louder” frantic girl power of Girlschool with the evergreen urgency of C’mon Let’s Go. Raven nod their heads towards the forthcoming thrash and speed metal scenes with Hard Ride, whilst Irish rockers Sweet Savage offer up the first sighting of (soon to be guitar rock god) Vivian Campbell before his Whitesnake and Def Leppard tenure. And then there’s Vardis who offer up a ballsy rock n roll number entitled If I Were King, perhaps the best thing on here and I have to be honest I’m a little ignorant to all their previous output, so guess I might have to do some more investigating (see one a rocker always a rocker!)

Sure there are a few clunkers on here I’m not sure even I remember the organ assisted melodic pap of White Spirit or Midlands based rockers Dark Star and there’s a reason for that, but on the whole this album is a worthy reminder of a long lost scene or perhaps an introduction to yesteryears heroes for the current metal lover, a lesson in where todays modern day metal bands nicked all their best ideas.

I’ve got to say after listening to the twenty tracks on here, I found myself dusting down that air guitar and striking my best pose in front of the mirror to the hilarity of the wife, but hey she never had that metal phase, she doesn’t understand.

Rhythm & Booze Rating 8

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